
"Galileo, Courtier is Mario Biagioli's radical reinterpretation of Galileo's career. In the early baroque court of the Medicis and the Vatican, Galileo fashioned both his career and his science to the demands of patronage and its complex systems of power and prestige. Where other writers make distinctions between Galileo the scientist and Galileo the courtier, Biagioli demonstrates that the two cannot be separated. He argues that Galileo's courtly role was integral to his science - the questions he chose to examine, his methods, even his conclusions." "Biagioli focuses on the period between 1610, when Galileo became philosopher and mathematician to the Medici, and 1633, when he was tried and his theories were condemned. He evokes the vibrant cultural and intellectual life of the Italian courts where, as a courtier, Galileo had to produce novel and noteworthy scientific work as well as entertain the court. The prestige of his patrons gave Galileo the freedom to address the larger issues about the nature of the cosmos that interested him, while at the same time requiring him to confront problems he was not prepared to consider." "It was a precarious life: Galileo engaged in constant struggles over the legitimacy of his own science and his advocacy of the new Copernican astronomy that challenged both existing worldviews and the authority of the Church.
I also remember loving John Brewer's "The Pleasures of the Imagination: English Culture in the 18th Century" and Mario Biagioli's "Galileo Courtier." Also "Mad Blood Stirring" by Edward Muir, which tackles the question of why 16th century Italian street life was so incredibly violent.
Edit: seems apropos to mention that a couple friends of mine are about to launch a site for historians to curate lists of their favorite books on key topics, called Backlist: http://backlist.cc