Skip to content
HomeVideos
AllLongsCategoriesPlaylists
BooksBlogsPodcasts
HistoryListsWatch laterLiked videosFollowing

The videos, books, blogs and podcasts Hacker News keeps recommending, all in one place.

VideosBooksBlogsPodcastsAboutPrivacySettings

Data from Hacker News, HackerTube, HackerBooks, HackerBlogs and Open Library. Credits · Not affiliated with Y Combinator.

HomeVideosBooksBlogsPodcasts
Ctrl K

    Bytebeat: Music from very short programs - the 3rd iteration

    Ville-Matias Heikkilä (viznut)

    1 HN recommender · recommended in 5 months, 2013–2024

    YouTube

    7:15 · 327K views · Oct 10, 2011

    Viznut's third bytebeat video presents music generated by very short C programs and JavaScript expressions. It links to online tools and deeper analysis of one-line music.

    Linked in threads about algorithmic and demoscene music as the canonical introduction to bytebeat.

    Computing History & CultureDemoscene & retrocomputingCreative coding & generative artMusic theory, synthesis & production
    1. 10:14
      Making a heart with MathsInigo Quilez112K views • 9 years ago
    2. 9:35
      sCrAmBlEd?HaCkZ!johndoe3179K views • 20 years ago
    3. 3:24
      Robotic Liberation by PWP (VIC-20)Ville-Matias Heikkilä (viznut)139K views • 20 years ago
    4. 41:12
      Trackers: The Sound of 16-BitAhoy2.1M views • 4 years ago
    5. 3:36
      elevated by Rgba & TBC | 4k intro (FullHD 1080p demoscene demo)Demoscene High-Quality Videos (Annikras)317K views • 15 years ago
    6. 2:25:57
      Sam Aaron live coding a DJ set with Sonic PiSam Aaron95K views • 10 years ago
    7. 2:22
      A Mind Is Born (256 bytes)lftkryo1.2M views • 9 years ago
    8. 1:00:49
      The Art of Code - Dylan BeattieNDC Conferences4.9M views • 6 years ago
    9. 18:27
      Dan Tepfer: NPR Music Tiny Desk ConcertNPR Music134K views • 7 years ago
    10. 23:00
      Amiga Samplers : Budget dance music in 1990debuglive1.8M views • 6 years ago
    11. 22:02
      ORCA Sequencer Intro (Experimental Livecoding!)Allieway Audio93K views • 7 years ago
    12. 22:01
      Sam Aaron live coding an ambient electro set w/ Sonic PiSam Aaron219K views • 10 years ago
    13. 8:08
      Farbrausch & Neuro - Masagin (HD Stereo)Leonard Ritter485K views • 17 years ago
    14. 39:21
      Functional Composition - Chris FordClojureTV31K views • 13 years ago
    15. 10:23
      Andrew Sorensen Keynote: "The Concert Programmer" - OSCON 2014O'Reilly157K views • 12 years ago
    16. 49:04
      Polyend Tracker // Review and Full Tutorial from Sample to Songloopop355K views • 6 years ago
    17. 1:16:21
      Notation Must Die: The Battle For How We Read MusicTantacrul1.8M views • 3 years ago
    18. 2:05
      Emily Howell - Track 1Marco Pontello377K views • 16 years ago
    19. 41:47
      Get Ready to Rock with Sonic Pi - The Live Coding Music Synth for Everyone • Sam Aaron • GOTO 2018GOTO Conferences76K views • 8 years ago
    20. 2:28
      iMUSE Demonstration 2 - Seamless TransitionsPeter Silk (KestrelPi)37K views • 16 years ago

    5 comments from Hacker News

    1. @isoprophlexMar 2024· in “Mandala: A little plaground for testing pixel logic patterns”

      See also the 1D version of this, rendered as audio: "bytebeat" music. Surprisingly complex music from very simple modular arithmetic and bit shifting. this video

      RecommendsView on HN
    2. @vanderZwanFeb 2017· in “The Fundamental Theorem of Algebra: A Visual Approach (2015) [pdf]”

      > Points near the origin have dark colors, with the color assigned to a complex number z approaching black as z approaches 0. Points far from the origin are light, with the color of z approaching white as |z| approaches infinity. Every complex number has a different color in this picture, so a complex number can be uniquely specified by giving its color. So I was wondering if this approach could also be useful in the context of floats and integers. The implementation becomes simpler in many ways (we only have a finite number of possible values to consider). For example, start with a unique mapping of 8-bit integers to a continuous colour ramp. I suppose the easiest option would be to start in the top left, then go from left to right, top to bottom, resulting in a 16x16 image. If we then take a formula that also returns an 8-bit value, map every possible input to an output, and show the results as an image, it should make it easy to see where we have an integer overflow, for example (if we see sudden jumps from very bright to dark or the other way around). Then I realised: I have seen this in the wild! It's used all over the place in the demo-scene. For example: this video [LINK] Aside, this also reminds me of Gustafson's closure plots for comparing his number encoding to standard floating points, although it's not really the same thing: [LINK]

      CitesView on HN
    3. @DonHopkinsApr 2020· in “Conway's Game of Life on Dec PDP-7, Type 340 Display, & Am Radio ByteBeat Music”

      Listening to a PDP-7 with an AM radio isn't exactly ByteBeat (since you're technically only allowed one line of code), but it sure sounds a lot like it: Meet Bytebeat: A Brand New Electronic Music Genre [LINK] >Become a slave to the algorhythm. >Heard about the latest computer music genre sweeping the internet? It’s called “bytebeat” and if this comes as news to you, don’t despair, the thing’s only about five months old, so you’re still ahead of the curve. Bytebeat is algorithmic music created from one line of code and was discovered/invented while Finnish low-tech artist and programmer Ville-Matias Heikkila (aka Viznut) and his friends were experimenting with the computer programming language C code and creating one line formulas that could produce an audio output (see below). Bytebeat: Music from very short programs - the 3rd iteration this video Bytebeat - Music from math formulas [LINK]

      CitesView on HN
    4. @laumarsApr 2013· in “Experimental one-line algorithmic music”

      I think the theory behind this is a great deal more interesting than that video lets on. The idea started out as simple C programs piping characters to a UNIX audio device. But it's grown since then, now there's a web page that lets you create audio with Javascript expressions[1] (one of my favorite tracks from this scene was generated that way[2]). There's some good blog posts about the origins of this[3], and music theory behind it[4]; both of which will go into more detail than I'd care to for a HN comment[3]. [1] [LINK] [2] this video (5m 13s) [3] [LINK] [4] [LINK]

      CitesView on HN
    5. @vegedorJun 2014· in “Show HN: Wavepot – Digital audio workstation of the web”

      >I'm glad you like it. The sound is generated purely by a JavaScript function returning sample values i feel like this belongs here: this video - not in a DAW kinda sense, though

      CitesView on HN