
This is the long-awaited third edition of Chomsky's outstanding collection of essays on language and mind. The first six chapters, originally published in the 1960s, made a groundbreaking contribution to linguistic theory. This new edition complements them with an additional chapter and a new preface, bringing Chomsky's influential approach into the twenty-first century. Chapters 1-6 present Chomsky's early work on the nature and acquisition of language as a genetically endowed, biological system (Universal Grammar), through the rules and principles of which we acquire an internalized knowledge (I-language). Over the past fifty years, this framework has sparked an explosion of inquiry into a wide range of languages, and has yielded some major theoretical questions. The final chapter revisits the key issues, reviewing the 'biolinguistic' approach that has guided Chomsky's work from its origins to the present day, and raising some novel and exciting challenges for the study of language and mind.
— The Master Algorithm by Pedro Domingos
— The Book of Why by Judea Pearl
— What Computers Still Can't Do by Hubert L. Dreyfus
— Society of Mind & The Emotion Machine by Marvin Minsky
— The Feeling Of What Happens by Antonio Damasio
— Language & Mind by Noam Chomsky
— A great mooc is also, the "Learning From Data" Telecourse from Caltech https://work.caltech.edu/telecourse
He does have some answers, such as “human creativity is the ability to create an infinite range of outputs from a finite range of inputs that nonetheless pertain to our motivations/context in some useful way”, but that’s obviously not a very satisfying answer. It tells us a little — I think Tao is gesturing to exactly this when he complains that GPTo1 can only apply and combine mathematical approaches within a sort of closed domain rather than propose radically new ones - but it’s not helpful for an everyday understanding of creativity. IMO :)
In his words, from Language and Mind:
"Roughly, where we deal with cognitive structures, either in a mature state of knowledge and belief or in the initial state, we face problems, but not mysteries. When we ask how humans make use of these cognitive structures, how and why they make choices and behave as they do, although there is much that we can say as human beings with intuition and insight, there is little, I believe, that we can say as scientists…
What I have called elsewhere 'the creative aspect of language use' remains as much a mystery to us as it was to the Cartesians who discussed it, in part, in the context of the problem of 'other minds."
If this sounds intriguing to you/anyone, I highly recommend his (in)famous debate with Foucault, which is available for free on YouTube. It’s a bit wandering, but about halfway through they discuss creativity in depth, contrasting Foucault’s vaguely postmodern view-that human creativity is mostly constrained by societal circumstances-with Chomsky’s view, that human creativity is mostly constrained by the natural structures of our cognitive system(s).I emphasized biological facts, and I didn't say anything about historical or social facts. And I am going to say nothing about these elements in language acquisition. The reason is that I think they are relatively unimportant. -- Chomsky, N. (1998), Language and Mind: Current Thoughts and Ancient Problems
