
This important work, first published in 1934, is a concise statement of Pound's aesthetic theory. With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding "Treatise on Meter" provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.
I haven't read Guide To Kulchur but it seems like it edges towards the 'crazier' (late, fascist) side of Pound.
[0] https://en.wikipedia.org/wiki/ABC_of_Reading [1] https://en.wikipedia.org/wiki/How_to_Read_a_Book
Oh, I see. We actually discussed Pound about four years ago - just a little back and forth about the ABC of Reading: https://news.ycombinator.com/item?id=24196681
>What's your explanation of why Pound went Fascist?
I'm not sure I particularly have one; I haven't read any of his longer political or cultural (i.e. non-literary) works. I just think it's silly to correlate an approach to translation that you dislike with fascism. Especially as I'm not sure it even makes sense on its own terms: I can only read your comment as 'lazy translator? Figures that he would be a fascist', but if I imagine the type of translation a fascist would approve of, the approach I picture is fastidious, fussy, concerned with fidelity to the point of stickler-ishness. (Isn't that from where we get 'grammar nazi'?)
And oh, well, since you ask I'll take a shy at it: my vague sense is that he became fascist because saw a society in decline due to it becoming more and more a sham society: opulence without virtue, power without vigour, money no longer tied to actually existing goods. (Of course, all of this shades easily into antisemitism.) He saw fascism as the answer; It's easier to see in retrospect that it wasn't.
And was the recitation to be from memory?
The https://en.wikipedia.org/wiki/Parable_of_the_Sunfish was certainly worth some reflection, although Pound's willingness to translate chinese poetry without knowing much chinese may show his practice (as is most of ours!) was not quite up to his preaching. (Edit: he leads "...Kulchur" by quoting 一以貫之[1], so he is stronger in chinese than I.)
Upon reflection: abstraction and instantiation are always dual, and just as we shouldn't exclusively fly abstract, neither should we exclusively rest concrete. There are more fascinating journeys to be had by skipping between both sides of the duality, passing between them adroitly, adjointly.
[1] https://en.wikisource.org/wiki/The_Chinese_Classics/Volume_1...
Bonus track: https://www.youtube.com/watch?v=nzQWYHHqvIw
