
Winner of the 1973 National Book Award, "Gravity's Rainbow" is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's "Ulysses" was to the first.
Recently I managed to find the list again, and it's been endless pleasure:
- American Gods -- Neil Gaiman
- Brave New World -- Aldous Huxley
- The Colour of Magic -- Terry Pratchett
- Consider Phlebas -- Iain M Banks
- Cryptonomicon -- Neal Stephenson
- Cloud Atlas -- David Mitchell
- The Diamond Age -- Neal Stephenson
- The Dispossessed -- Ursula K Le Guin
- Do Androids Dream of Electric Sheep? -- Philip Dick
- Dune -- Frank Herbert
- Foundation -- Isaac Asimov
- Giles Goat-Boy -- John Barth
- Gravity's Rainbow -- Thomas Pynchon
- The HitchHiker's Guide to the Galaxy -- Douglas Adams
- I, Robot -- Isaac Asimov
- The Illuminatus! Trilogy -- Robert Shea and Robert Anton Wilson
- The Left Hand of Darkness -- Ursula K Le Guin
- The Man in the High Castle -- Philip K Dick
- Microserfs -- Douglas Coupland
- Neuromancer -- William Gibson
- Nineteen Eighty-Four -- George Orwell
- Orlando -- Virgina Woolf
- The Shockwave Rider -- John Brunner
- Snow Crash -- Neal Stephenson
- Stand on Zanzibar -- John Brunner
- Stranger in a Strange Land -- Robert Heinlein
- Trouble with lichen - John Wyndham
- UBIK -- Philip Dick
- Watchmen -- Alan Moore & Dave Gibbons
- Woman on the Edge of Time -- Marge Piercy
(I am creatively interpreting "The Colour of Magic" as "all Discworld", "Dune" as "the six Dune books", etc.)
In no order here goes
1. Blood meridian
2. The Bell Jar
3. Of Mice and Men
4. Mason and Dixon (everyone’s gonna say “Gravity’s Rainbow” but I think since this is an explicitly American list, the themes of Mason and Dixon of the North/South divide etc put it more squarely on this list)
5. To Kill a Mockingbird
6. Moby Dick (I’m not the biggest fan of this actually but it’s way better than Gatsby for me)
7. Walden (Does this count? Anyway whatever. Walden)
8. Portrait of a Lady
9. Infinite Jest
10. Go tell it on the mountain
Honestly this is right off the top of my head and looking back I haven’t even got any Hemingway on here, or Ralph Ellison, or Toni Morrison. I could make a case for Slaughterhouse 5 or Catch-22 or The Naked and the Dead or a bunch of other things. Like even though I think he’s a total tool, Bonfire of the Vanities probably has a good case for being on the list
I just genuinely don’t get the fuss about Gatsby. I’m glad people like it, but there seem far, far better American novels.
Edit to add: And yes I did read it. Twice in fact, once in my late teens after I had read a lot of serious literature and thought it was ok but not great and then again in my late 30s because I was sure I must have missed something and was very disappointed to come to the conclusion that I really hadn’t.
I have two theories for why maybe people like it so much. Firstly, because the author is such a stylist and they get strung along by some of the prose. But when you read a truly jawdropping stylist like for example in my book Joyce or Virginia Woolf or Cormac Macarthy, F. Scott Fitzgerald really doesn’t stand well in that company.
Second theory (perhaps cynical) is that it’s the first novel in the US school syllabus that gets really serious literary criticism applied to it and so for a lot of people it is the book that awakens them to the power of literature. I could totally see that if you had a really great teacher introducing you to proper literature by means of the book you might love the experience and, because of that, the book.
Gravity’s Rainbow, V and Against the Day are these monumental books which are sometimes really harrowing and hard to read (amazing in my opinion, but tough to read none the less).
Lot 49, Inherent Vice, Vineland and the new one are kind of “weird noir” gumshoe novels - funny and full of whacky conspiracies etc.
Bleeding edge is more like the second lot. I would definitely recommend people to read The Crying of Lot 49 and/or Inherent Vice to make up their minds whether they like Pynchon. Then you’ll know whether you want to invest in reading V or Gravity’s Rainbow etc.
[1] I’m gonna leave Mason & Dixon to one side because it’s sort of its own thing.
HOMER: Sweetie, I really wanted to read it. But you know I don’t like to read. My eyes get so tired going right, right, right, then, ugh … left. Plus from the title I thought “Gravity’s Rainbow” would be about Skittles. It didn’t seem to be, so I took a break about halfway through.
LISA: You made it halfway through the book?
HOMER: Halfway through the first line.
LISA: OK, I thought you might struggle with it, so I got you a pop-up version too.
HOMER: Sorry, pop-up books are way too hard. If something’s going to pop up at me it better be from a toaster. Plus you have to figure out how to get the pages to lie back down flat again. I’m no engineer.
LISA: I thought you were a nuclear engineer.
HOMER: That’s more about pushing buttons. Or not pushing buttons. I can’t remember which. So if you had to choose a passage from the book to appear in The New York Times, what would it be?
LISA: It would have to be this quote about power in America: “All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few …”
HOMER: Interesting. Did you know there’s a green Skittle? Do you think this Pynchon guy knows what it tastes like?
His early book "The Crying of Lot 49" was also really good.
