
Told from the focal point of one Rev. Wicks Cherrycoke – a clergyman of dubious orthodoxy – who attempts to entertain and divert his extended family on a cold December evening (partly for amusement, and partly to keep his coveted status as a guest in the house). Claiming to have accompanied Mason and Dixon throughout their journeys, Cherrycoke tells a tale intermingling Mason and Dixon's biographies with history, fantasy, legend, speculation, and outright fabrication.
In no order here goes
1. Blood meridian
2. The Bell Jar
3. Of Mice and Men
4. Mason and Dixon (everyone’s gonna say “Gravity’s Rainbow” but I think since this is an explicitly American list, the themes of Mason and Dixon of the North/South divide etc put it more squarely on this list)
5. To Kill a Mockingbird
6. Moby Dick (I’m not the biggest fan of this actually but it’s way better than Gatsby for me)
7. Walden (Does this count? Anyway whatever. Walden)
8. Portrait of a Lady
9. Infinite Jest
10. Go tell it on the mountain
Honestly this is right off the top of my head and looking back I haven’t even got any Hemingway on here, or Ralph Ellison, or Toni Morrison. I could make a case for Slaughterhouse 5 or Catch-22 or The Naked and the Dead or a bunch of other things. Like even though I think he’s a total tool, Bonfire of the Vanities probably has a good case for being on the list
I just genuinely don’t get the fuss about Gatsby. I’m glad people like it, but there seem far, far better American novels.
Edit to add: And yes I did read it. Twice in fact, once in my late teens after I had read a lot of serious literature and thought it was ok but not great and then again in my late 30s because I was sure I must have missed something and was very disappointed to come to the conclusion that I really hadn’t.
I have two theories for why maybe people like it so much. Firstly, because the author is such a stylist and they get strung along by some of the prose. But when you read a truly jawdropping stylist like for example in my book Joyce or Virginia Woolf or Cormac Macarthy, F. Scott Fitzgerald really doesn’t stand well in that company.
Second theory (perhaps cynical) is that it’s the first novel in the US school syllabus that gets really serious literary criticism applied to it and so for a lot of people it is the book that awakens them to the power of literature. I could totally see that if you had a really great teacher introducing you to proper literature by means of the book you might love the experience and, because of that, the book.
Gravity’s Rainbow, V and Against the Day are these monumental books which are sometimes really harrowing and hard to read (amazing in my opinion, but tough to read none the less).
Lot 49, Inherent Vice, Vineland and the new one are kind of “weird noir” gumshoe novels - funny and full of whacky conspiracies etc.
Bleeding edge is more like the second lot. I would definitely recommend people to read The Crying of Lot 49 and/or Inherent Vice to make up their minds whether they like Pynchon. Then you’ll know whether you want to invest in reading V or Gravity’s Rainbow etc.
[1] I’m gonna leave Mason & Dixon to one side because it’s sort of its own thing.
This is what it took for me - having a few other people agreeing to a schedule and meeting to talk about what we had read. I ultimately very much enjoyed GR but it is really difficult to read alone for the first time. Both the social pressure to keep at it and the ability to have "what the hell was that" conversations with other people really helped.
(My father's favorite author is Pynchon, so while he slightly prefers Mason & Dixon to GR, it's been in my awareness for a very long time; I think my first attempt was in my teens and I didn't succeed at finishing until my mid twenties)
