
"'Against Interpretation' was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes some of Sontag's best-known works, among them "On Style", "Notes on 'Camp", and the titular essay "Against Interpretation", where Sontag argues that modern cultural conditions have given way to a new critical approach to aesthetics."
Michel de Montaigne, "Essays": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
David Hume, "Of Public Credit:": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
David Thoreau, "Civil Disobedience": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Virginia Woolf, "A Room of One’s Own": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
George Orwell, "The Lion and the Unicorn": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Simone Weil, "Human Personality": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
James Baldwin, "Notes of a Native Son": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Susan Sontag, "Against Interpretation": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Joan Didion, "The White Album": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
David Foster Wallace, "Up, Simba!": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Umberto Eco, "Thoughts on Wikileaks": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
Ta-Nehisi Coates, "The Case for Reparations": https://www.lrb.co.uk/podcasts-and-videos/podcasts/history-o...
>Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an overabundance of importance placed upon the content or meaning of an artwork rather than being keenly alert to the sensuous aspects of a given work and developing a descriptive vocabulary for how it appears and how it does whatever it does.
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>Sontag asserts that the modern style is quite harmful; to art and to audiences alike, enforcing hermeneutics- fallacious, complicated “readings” that seem to engulf an artwork, to the extent that analysis of content begins to degrade, to destroy. Reverting back to a more primitive and sensual, almost magical experience of art is what Sontag desires
Edit: You can read the whole thing here: http://www.coldbacon.com/writing/sontag-againstinterpretatio...
