
This Side of Paradise, F. Scott Fitzgerald's romantic and witty first novel, was written when the author was only twenty-three years old. This semi-autobiographical story of the handsome, indulged, and idealistic Princeton student Amory Blaine received critical raves and catapulted Fitzgerald to instant fame. Now, readers can enjoy the newly edited, authorized version of this early classic of the Jazz Age, based on Fitzgerald's original manuscript. In this definitive text, This Side of Paradise captures the rhythms and romance of Fitzgerald's youth and offers a poignant portrait of the "Lost Generation."
Flowers for Algernon (Daniel Keyes)
The Effect of Gamma Rays on Man-in-the-Moon Marigolds (Paul Zindel)
The Things They Carried (Tim O' Brien)
This Side of Paradise (F. Scott Fitzgerald)
Something Wicked This Way Comes (Ray Bradbury) Essentially a children's sci-fi novel, but it doesn't read that way.
A Moveable Feast (Ernest Hemingway)
My personal favorite (along with his short stories, which I highly recommend), but if it's your first time reading Hemingway, might be better to go with The Sun Also Rises.Revolutionary Road (Richard Yates)
On the Road (Jack Kerouac) *One of my personal favorites, but most people either love or hate it, so maybe save this towards the end.
On my own reading list:
Speedboat (Renata Adler)
Money (Martin Amis)
Love in the Time of Cholera (Gabriel Garcia Marquez)
Read by, yes. Story well-known, I doubt. What is the story of The Great Gatsby, in a few words? (But then again, what is the story of the Iliad, anyway? Something about the wrath of Achilles, right?) [I should clarify: to answer that the Iliad is about "the Trojan war" or "Achilles dragging the body of Hector" seems insufficient to me in the same way it would be insufficient to say that Gatsby is about "a guy who throws parties" or "a murder in a swimming pool."]
Twain is the obvious "American Homer" not just because his name pops immediately to mind, but also because his two best-known works (Tom Sawyer and Huckleberry Finn) stand in the same relation to each other as the Iliad and Odyssey: a minor character in one becomes the protagonist of the other. As someone above already commented, too, both works are episodic and have given us many pop-culture images: I dare say only Tom's painting of the fence is proverbial, but the cave adventure, the feud, attending one's own funeral, and probably several more episodes are embedded in American pop culture to the same extent as the Cyclops, Circe, and the Lotus-Eaters. Gatsby is a great novel, but what has it given to our collective unconscious? The green light and... beautiful shirts?
What does it say that there have been three adequate film adaptations of Gatsby, while there have been (as far as I know) none at all of Tom Sawyer, Huckleberry Finn, the Iliad, or the Odyssey?
(Side note: About 15 years ago I read Fitzgerald's The Beautiful and Damned and thought it was very good and inventive; I recommend it. These days Wikipedia tells me that "many Fitzgerald scholars typically consider The Beautiful and Damned to be among the author's weaker novels," so maybe something excellent is waiting for me if I ever get around to reading This Side of Paradise or Tender is the Night.)
Your list reminds me of a joke from Fitzgerald's first novel, This Side of Paradise:
So
Walter Arensberg,
Alfred Kreymborg,
Carl Sandburg,
Louis Untermeyer,
Eunice Tietjens,
Clara Shanafelt,
James Oppenheim,
Maxwell Bodenheim,
Richard Glaenzer,
Scharmel Iris,
Conrad Aiken,
I place your names here
So that you may live
If only as names,
Sinuous, mauve-colored names,
In the Juvenalia
Of my collected editions."Catcher" and "This Side of Paradise" are kind of a binary system for studying the pathology of American youth culture.
