
Here is a novel, glamorous, ironical, compassionate – a marvelous fusion into unity of the curious incongruities of the life of the period – which reveals a hero like no other – one who could live at no other time and in no other place. But he will live as a character, we surmise, as long as the memory of any reader lasts. "There was something gorgeous about him, some heightened sensitivity to the promises of life.... It was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again." It is the story of this Jay Gatsby who came so mysteriously to West Egg, of his sumptuous entertainments, and of his love for Daisy Buchanan – a story that ranges from pure lyrical beauty to sheer brutal realism, and is infused with a sense of the strangeness of human circumstance in a heedless universe. It is a magical, living book, blended of irony, romance, and mysticism. \--first edition jacket
Also, "Heaven on Earh", by Emma Wells, about nine or ten Gothic Cathedrals (mostly the history of their building and preservation). A bit too plain for my taste but includes interesting facts and anecdotes.
Finished recently:
-Flowers for Algernon, which I liked a lot.
-Piranesi, by Susanna Clarke, so beautiful and surprising.
-The Great Gatsby, which I had not read yet and which I have loved reading.
The Great Gatsby has themes about the American Dream, wealth, social class, love, ambition, and the gap between appearance and reality. Symbolism is easily teachable in the book, as well. And it's short, with relatively simple language and simple characters, which makes it a practical book for students.
I would pick F. Scott Fitzgerald. His book, The Great Gatsby, showed us that the 1920s in America was a highly divided society that was corrupted by materialism and more. His pessimism gives us a pretty good view into the past.
In that case, I think The Great Gatsby is the most logical equivalent to the Iliad and Odyssey. To me it conveys the essential elements of the American character: obsessed with reinvention via commerce, but inevitably tied to the past. It’s also probably been read by the majority of Americans, or at least the story is well-known. Can’t say the same for Twain, Melville, etc.
For more recent authors though, I think Don DeLillo is the best chronicler of mid-late century America.
But I felt the ending was rather unsatisfying, because it simply stops after he succeeds—lacking the kind of depth we usually expect from a great novel. Yet I also think that’s part of the charm of American fiction: it’s simple, rough, and fun to read. Kind of like the original Godfather novel. Of course, the deeper aspects require other literary works to explore. I haven’t read much, so I’m not sure who in America does it best—maybe Faulkner? On the Road, The Great Gatsby… I read those in college, and even after all these years, the impression they left on me is unforgettable.
