Virtual light
California, the not so distant future. Berry, ex-cop/private security, looking to just make ends meet. Chevette, a young bicycle messanger. A murder, a secret missing, and a murderer closing in on Chevette. Berry is the only thing standing between him and Chevette. Can he keep her alive long enough to figure why, and how to stop it? Multi-national corporations, reality tv, a world gone just a bit more ragged than our own. Murder, mystery, real people just trying to get by or survive another day in an harsh world. Big dome private communities and shanty towns built on the discarded remains of a bridge we all know. High tech meets duct tape and superglue. With his unique style and flair, Gibson spins a tale set in a world just to the left of ours.
Stats for nerds
18recommend
43mentions
39people
2007–2026years
42% recommend58% neutral
Mentions per year
What Hacker News says
- William Gibson is one of my favorite writers, and it's funny because I think he has the exact opposite problem. Most of his novels open on the action, in some interesting location. But gradually they get weaker, with a few (Mona Lisa Overdrive, in my case) becoming a real slog to finish. I've probably read the first 50 pages of Neuromancer 20 times, but only the entire novel 3-4 times in 20+ years.
There's the famous opening line to Neuromancer, "The sky above the port was the color of television, tuned to a dead channel." But I actually like the openings of Count Zero and Virtual Light more:
CZ: They sent a slamhound on Turner's trail in New Delhi, slotted it to his pheromones and the color of his hair. It caught up with him on a street called Chandni Chauk and came scrambling for his rented BMW through a forest of bare brown legs and pedicab tires. Its core was a kilogram of recrystallized hexogene and flaked TNT. He didn't see it coming.
The last he saw of India was the pink stucco facade of a place called the Khush-Oil Hotel. Because he had a good agent, he had a good contract. Because he had a good contract, he was in Singapore an hour after the explosion. Most of him, anyway The Dutch surgeon liked to joke about that, how an unspecified percentage of Turner hadn't made it out of Palam International on that first flight and had to spend the night there in a shed, in a support vat.
VL: The courier presses his forehead against layers of glass, argon, high-impact plastic. He watches a gunship traverse the city’s middle distance like a hunting wasp, death slung beneath its thorax in a smooth black pod.
IMO some writers are just better as short story writers, not novelists, but are forced into writing longer works by the publishing system.
- Of all the cyberpunk authors, Gibson, while one of the first, is probably the least interesting. Stephenson and Sterling are better writers and explore more complex ideas. Gibson has the occasional shadow of an idea that he explores with a few one dimensional characters. That said, I liked "Virtual Light".
Doctorow's late cyberpunk novels like "Down and Out in the Magic Kingdom" are also very good.
- I think this is a fair analysis, but for me the pleasure of reading Gibson has basically always been the use of language and jargon. Yes, Virtual Light is a stupid caper story but both Chevette and Berry are great characters, hard-luck protagonists trying to make it in a crapsack world. Berry's background is especially deftly told in a few telling vignettes.
That's why the Bigend books are such disappointments to me. Instead of outsiders looking in, or trying to strike it big, we have bougie insiders getting VC money. And Agency is a travesty.
- Thanks for mentioning these books as I came across “Virtual Light” by William Gibson in jail and found it a very accomplished novel and his craft at a high level. Also it finally clicked to me why the mainframes were called Gibsons in the film “Hackers” as I grew up not being exposed to his books (though now I actively have them on my to read list).
- You’ll be wanting to read William Gibsons so-called Bridge Trilogy, which starts with “Virtual Light”.
- The Bridge Trilogy by William Gibson (technically cyberpunk but close enough). Virtual light and all tomorrow’s parties in particular.
