
Tito is in his early twenties. Born in Cuba, he speaks fluent Russian, lives in one room in a NoLita warehouse, and does delicate jobs involving information transfer.Hollis Henry is an investigative journalist, on assignment from a magazine called Node. Node doesn't exist yet, which is fine; she's used to that. But it seems to be actively blocking the kind of buzz that magazines normally cultivate before they start up. Really actively blocking it. It's odd, even a little scary, if Hollis lets herself think about it much. Which she doesn't; she can't afford to.Milgrim is a junkie. A high-end junkie, hooked on prescription antianxiety drugs. Milgrim figures he wouldn't survive twenty-four hours if Brown, the mystery man who saved him from a misunderstanding with his dealer, ever stopped supplying those little bubble packs. What exactly Brown is up to Milgrim can't say, but it seems to be military in nature. At least, Milgrim's very nuanced Russian would seem to be a big part of it, as would breaking into locked rooms.Bobby Chombo is a "producer," and an enigma. In his day job, Bobby is a troubleshooter for manufacturers of military navigation equipment. He refuses to sleep in the same place twice. He meets no one. Hollis Henry has been told to find him.Pattern Recognition was a bestseller on every list of every major newspaper in the country, reaching #4 on the New York Times list.
Much later, I have listened to his latest two books, The Peripheral and Agency many times (with teenage daughter), and love them as they are more actual sci-fi. That said, his previous trilogy (Pattern Recognition, Spook Country, and Zero History) are our favorite of his now, though they are barely what most would consider sci-fi. All his books are really capers and weave in his unique, poignant, and heart-oriented perspectives on our modern world.
It is worth noting that his collection of non-fiction articles, Distrust that Particular Flavor, is thought-provoking and simply wonderful.
Dividing his books into "trilogies" is a little misleading; they all happen in the same shared universe and some common characters, but don't have deeply connected stories. Give Pattern Recognition a try, and see if 20 years makes a difference to you. (If you like audiobooks, Pattern Recognition is a gem, with almost the perfect fusion between story and narrator.)
Critical Chain by Eliyahu M. Goldratt
The Unicorn Project by Gene Kim (sequel to the Phoenix Project)
Makers by Cory Doctorow
Daemon & Freedom™ by Daniel Suarez
The Affinities by Robert Charles Wilson
Zodiac by Neal Stephenson
The Blue Ant trilogy (Pattern Recognition, Spook Country, Zero History) by William Gibson
Omnitopia: Dawn by Diane Duane
Walkaway by Cory Doctorow
Autonomous by Annalee Newitz
The Ministry for the Future by Kim Stanley Robinson
Reamde by Neal Stephenson
Lock In by John Scalzi
Rascal Money by Joseph Garber
Soda Pop Solider by Nick Cole
Ctrl-Alt-Revolt by Nick Cole
Glasshouse by Charles Stross
Second the Vernor Vinge recommendations, and the Neal Stephenson and William Gibson Sprawl Trilogy recommendations.
Gibson's The Peripheral, as well as Pattern Recognition, Zero History, and Spook Country all apply, as well. Same for his Idoru, Virtual Light, and All Tomorrow's Parties.
Finally, Gibson and Sterling's The Difference Engine - the first and, so far, best steampunk novel - also qualifies, given the storyline.
