The man who would be king
"My gord, Carnehan," says Daniel, "This is a tremenjus business, and we've got the whole country as far as it's worth having." Literature's most famous adventure story, this stirring tale of two happy-go-lucky British ne're-do-wells trying to carve out their own kingdom in the remote mountains of Afghanistan has also proved over time to be a work of penetrating and lasting political insight--amidst its raucous humor and swashbuckling bravado is a devastatingly astute dissection of imperialism and its heroic pretensions. Written when he was only 22 years old, the tale also features some of Rudyard Kipling's most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
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- Have Space Suit Will Travel (Heinlein)
Stranger in a Strange Land (Heinlein)
Rita Hayworth and Shawshank Redemption (one story in the book "Different Seasons" by Stephen King)
Of Mice and Men (Steinbeck)
The Martian Chronicles (Bradbury)
Roadside Picnic (Strugatsky)
Frankenstein (Shelley)
Brave New World (Huxley)
Farenheit 451 (Heinlein)
Never Cry Wolf (Mowatt)
A Whale for the Killing (Mowatt)
The Machine Stops (Forster)
Heart of Darkness (Conrad)
Starship Troopers (Heinlein)
The Jungle Book (Kipling)
Lost in the Barrens (Mowatt)
The Republic (Plato)
Rendezvous with Rama (Clarke)
Ringworld (Niven)
The Stainless Steel Rat (Harrison)
The Hobbit (Tolkien)
Strange Case of Dr Jekyll and Mr Hyde (Stevenson)
The Odyssey (Homer)
The Man who Would be King (Kipling)
The Pearl (Steinbeck)
Thus Spake Zarathustra (Nietzsche)
Do Androids Dream of Electric Sheep? (Dick)
A Scanner Darkly (Dick)
The Hitchhiker's Guide to the Galaxy (Adams)
Dracula (Stoker)
To Kill a Mockingbird (Lee)
The Count of Monte Cristo (Dumas)
Romeo and Juliet (Shakespeare)
The Wind in the Willows (Grahame)
A Christmas Carol (Dickens)
Alice's Adventures in Wonderland & Through the Looking-Glass (Carroll)
Watership Down (Adams)
Gulliver's Travels (Swift)
Animal Farm (Orwell)
- Was he really? The White Man's Burden isn't that ambiguous. Not now, and not even when it was written.
It was about the Philippine-American war. 2 days after publication in America, it was read in the Senate to argue for the US to end the war.
One of his more famous stories, The Man Who Would Be King is about two white men who manage to convince an Afghani tribe they're gods. It becomes undone, when one tries to marry one of the women, she attacks him drawing blood, and the tribe's priest declares he is "Neither god nor devil but a man!" (at which point one is brutally killed, and the other manages to flee). It could almost be read as an analogy for colonialism - the white men might have had a technological edge, and used shock and awe to take over, but as the natives catch on to what's happening, the risk of backlash and revolution grows.
Kipling wasn't firmly against colonialism, but he was a savvy (sometimes cynical) realist. Most colonials were pretty cynical about it.
- I just lack the part of my imagination that makes me care what anybody else makes. So far as I am concerned, it's simply not important.
I'd love to talk to somebody overpaid by three orders of magnitude but only to find out how it happened, in a "The Man Who Would Be King" sort of way. The world is far too arbitrary and random for anything like that to have too much meaning.
Indeed, someone in the office next to me in a dying company went on to harvest quite a bit of stock options - I spoke with her husband years after. She was definitely worth it, but it's still like the opposite of a tree falling on you.
The second rule is that what I make is important, but only to me and no you can't find out. Consistency has its limits.
- Regardless of the political motivations that sparked the announcement, I was excited to hear about it.
I became interested in Afghanistan in 2001, along with everybody else. Before that, my only exposure to the country was my reading of "The Man who would be King", by Kipling.
Everything that I've heard about the Afghanistan economy has had to do with opium and heroin. To have it announced that there was a very real possibility that there may be a way to grow their economy in a very real and significant way, and a way that benefits the rest of the world, rather than harms it, is exciting news to me.
