
The Bonfire of the Vanities is a 1987 satirical novel by Tom Wolfe. The story is a drama about ambition, racism, social class, politics, and greed in 1980s New York City, and centers on three main characters: WASP bond trader Sherman McCoy, Jewish assistant district attorney Larry Kramer, and British expatriate journalist Peter Fallow. See also: • The Bonfire of the Vanities: 1/2 • The Bonfire of the Vanities: 2/2
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The best writers don’t only keep you engaged with a gripping tale. They will, under the guise of that compelling narrative, teach you more about human motivation that lies at the base of everything in politics, business and life itself.
Fiction engages the emotions as well as the intellect in a way very little nonfiction can. The ease with which stories become embedded in the memory also gives a novelist the edge. We are much more likely to remember a narrative with a beginning, a middle and an end than a list of valuable instructions. While I can barely remember a page from my undergraduate textbooks, I can still recount stories I learned as a child.
The good novel exploits the virtues of storytelling to capture a truth. I doubt there is as good a nonfiction book that conveys the reality of the life, economics and politics of New York in the 1980s as well as Tom Wolfe’s “The Bonfire of the Vanities.” You can read as many guides to living your best life as you wish, but I defy you to find a better account of the travails of love, happiness, faith and morals as Evelyn Waugh’s “Brideshead Revisited.” Histories of the Cold War are fine, but nothing portrays the moral ambiguities and complexities of geopolitics as effectively as John le Carré’s novels of the age. (Though not his later ones, where the espionage-era paranoia that had entered his soul descended into generic anti-Western, anticapitalist tropes as tiresome as any critical theory textbook.) Booth Tarkington’s “The Magnificent Ambersons” is as good a portrait of 20th-century American capitalism as any economics treatise. If you think you’ve only just discovered technology’s corrosive effect on the human spirit, read Aldous Huxley’s “Brave New World” from 1932.
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Also James Michener novels are a good introduction to the history of different geographical location.
1900 was an age of decadence, 1920 was an age of decadence, 1940 was an age of horrors so horrific Europe basically collapsed. 1960s were extremely decadent but it was a bit more broad-based. The 1980s were decadent (I recommend Wolfe's The Bonfire of the Vanities). 2000 was maybe unusually sedate? Probably it was decadent and I didn't notice. 2020 is decadent and I am not surprised.
The times don't change all that much.
>>> The times don't change all that much.
That doesn't sound philosophically or factually rigorous, nor particularly true in many ways, nor like something that reflects any razor-like precision.
The court of public opinion doesn't have a good track record, for one. It's decisions are often based on fashion more than any kind of ethical principles.
A classic exploration of this phenomenon is contained in the novel The Bonfire of the Vanities by Tom Wolfe.
