
and instantly recognized by critics and readers alike as a classic, helps to explain men to women, and men to men. Rob is good on music: he owns a small record shop and has strong views on what's decent and what isn't. But he's much less good on relationships. In fact, he's not at all sure that he wants to commit himself to anyone. So it's hardly surprising that his girlfriend decides that enough is enough.
And, I agree: the plot is barely worth mentioning. In fact, I once started watching the movie and stopped halfway through because it was just so banal and uninteresting. The great stuff is in all the little observations and considerations that aren't really part of the "story".
Anna Karenina - 8/10
The Code of the Woosters 8/10
Fooled by Randomness 7/10
Finding Flow: The Psychology of Engagement with Everyday Life 8/10
How to Get Filthy Rich in Rising Asia 9/10
Reluctant Fundamentalist 9/10
The Sense of an Ending - Julian Barnes 8/10
The Last Question - Asimov - 9/10
The Magic of Thinking Big - 6/10
The catcher in the Rye 8/10
Models 7/10
High Fidelity - Nick Hornby 8/10
The Ocean at the End of the Lane - Neil Gaiman 7/10
The Surrender Experiment - 10/10
Untethered Soul - 9/10
The Autobiography of a Yogi - 7/10
Raja Yoga - Swami Vikekandanda - 7/10
Something Fresh, something new - 7/10
Karma Yoga - Swami Vikekandanda - 8/10
Thinking, Fast and Slow - 9/10
Fierce Invalids Home from Hot Climates 10/10
The Pearl by John Steinbeck 7/10
These books are worth reading immediately:
1. Lord of the Rings 2. All the King’s Men 3. High Fidelity 4. Get Shorty 5. Cryptonomicon 6. Almost anything by Robertson Davies, though I recommend starting with The Deptford Trilogy and skipping The Salterton Trilogy
"What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?"
- Nick Hornby, High Fidelity
Also relevant from the book:
"People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and rejection and pain and misery and loss."