
Jan Swafford's biographies of Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world's most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and "fate's hammer," his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven's key works. - Publisher.
"He is a great master, ran the usual critical line, but he cannot restrain his overweening imagination, his chilly intellectualism, his too many notes."
I cannot recommend Swafford's biographies on Mozart, Brahms and Beethoven highly enough.
https://www.kirkusreviews.com/book-reviews/jan-swafford/moza...
https://www.kirkusreviews.com/book-reviews/jan-swafford/beet...
https://www.kirkusreviews.com/book-reviews/jan-swafford/joha...
I was waiting for this to come out since his book on Beethoven was, and I mean this, a riveting page-turner, I devoured it: https://g.co/kgs/KfQ34W. If you are a pianist you'll love it. So far, the Mozart is equally good. Can't wait to finish it. Must put down phone and return..
Does anyone know of similar biographies of other famous composers? Ones that tell stories of the composer's lives as well as give detailed analyses of their works?
We see figures like Beethoven and Goethe as geniuses themselves, but the 18th century conception of 'genius' was not of a person, but of a sort of holy spirit that blessed an individual with great abilities, while remaining separate from that person.
So prior to Romantics of the 19th century taking hold of the concept of genius and re-purposing it into the one we're familiar with today, one would not speak of someone being a genius, but being graced with genius. Genius was not who they were, but something external to them that they possessed.
It's a subtle but interesting difference.
