
For more than a century and a half, Dream of the Red Chamber has been recognized in China as the greatest of its novels, a Chinese Romeo-and-Juliet love story and a portrait of one of the world's great civilizations. Chi-chen Wang's translation is skillful, accurate and fascinating.
Specifically:
Water Margin
Romance of the Three Kingdoms
Journey to the West
Dream of the Red Chamber
They are referenced in everything in asian media and there a bajillion tv/movie adaptations of them but they are relatively unknown in the west.
With comments from Coppola about Riane Eisler's The Chalice and the Blade, but also Cao Xueqin's The Dream of the Red Chamber, William Bolitho's Twelve Against the Gods, Cole and Chinoy's project Directors on Directing, and Goethe's Elective Affinities
If you want to go this route, then you could also say that the origins of Standard Chinese date back hundreds of years, to the language spoken by the imperial bureaucracy, or to massively popular works written in vernacular Chinese, like the Dream of the Red Chamber (late 1700s). There are always ancient antecedents that you can trace, but they become less and less directly related to the development of the modern language.
Yes, the Luther Bible was an important influence on the development of a standard literary German, but if you want to trace the development of a standardized spoken dialect of German, you have to go to the 19th Century and the development of Bühnendeutsch ("stage German"), which because of its use in theater had to have a standard pronunciation.