
Anthony Burgess has long been regarded as one of the most original and daring writers of our time. In Earthly Powers, Burgess has writtena book rich with astonishing powers and surprising events.
As a native english reader, writer and speaker of some six decades I grasp the tension in the use of ' literally "airquoted" ' and embrace it.
I also enjoy Riddley Walker, the first edition of Clockwork Orange (sans lexicographic annexure), and the outrageously provocative shock value of the opening sentence of Burgess's panoramic saga Earthly Powers.
Your opinion is noted and respected.
Might have been heat stroke, might have been slipped a mickey .. but he was, reportedly, diagnosed with an inoperable brain tumour or some such and advised to leave the country by the best physician in the country who worked directly for the Sultan.
The odd part was this being shortly after Devil of a State was published .. nominally about a fictious African country, transparently dishing dirt on society and rule in Brunei.
Clockwork Orange gets all the recognition but I still applaud his opening sentence in Earthly Powers, his parodic mockumentary of a (specific?) stereotyped British author.
I also love Earthly Powers by Anthony Burgess. Epic saga beautifully written.
Beano (comic, ’50s)
Private Eye (satirical magazine, ’60s – ’80s)
Raw (comic, ’80s)
Viz (comic, early ’80s)
Paris Review, The - Writers At Work: The Paris Review Interviews edited by Malcolm Cowley
Ackroyd, Peter - Hawksmoor
Alighieri, Dante - Inferno
Amis, Martin - Money
Baldwin, James - Fire Next Time, The
Barnes, Julian - Flaubert’s Parrot
Bellow, Saul - Herzog
Braine, John - Room At The Top
Broyard, Anatole - Kafka Was The Rage
Bulgakov, Mikhail - Master And Margarita, The
Bulwer-Lytton, Edward - Zanoni
Burgess, Anthony - A Clockwork Orange
Burgess, Anthony - Earthly Powers
Cage, John - Silence: Lectures And Writing
Camus, Albert - Stranger, The
Capote, Truman - In Cold Blood
Carter, Angela - Nights At The Circus
Chabon, Michael - Wonder Boys
Chatwin, Bruce - Songlines, The
Cohn, Nik - Awopbopaloobop Alopbamboom: The Golden Age of Rock
Cork, Richard - David Bomberg
Crane, Hart - Bridge, The
Danto, Arthur C. - Beyond The Brillo Box
DeLillo, Don - White Noise
Diaz, Junot - Brief Wondrous Life Of Oscar Wao, The
Döblin, Alfred - Berlin Alexanderplatz
Dos Passos, John - 42nd Parallel, The
Edwards, Frank - Strange People
Elliot, T.S. - Waste Land, The
Faulkner, William - As I Lay Dying
Figes, Orlando - A People’s Tragedy
Fitzgerald, F. Scott - Great Gatsby, The
Flaubert, Gustave - Madame Bovary
Friedrich, Otto - Before The Deluge
Gillete, Charlie - Sound Of The City: The Rise Of Rock And Roll, The
Ginzburg, Eugenia - Journey Into The Whirlwind
Guralnick, Peter - Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom
Hall, James A. - Halls Dictionary Of Subjects And Symbols In Art
Harding, Douglass - On Having No Head
Hirshey, Gerri - Nowhere To Run The Story Of Soul Music
Hitchens, Christopher - Trial Of Henry Kissinger, The
Homer - Iliad
Isherwood, Christopher - Mr. Norris Changes Trains
Jacoby, Susan - Age Of American Unreason, The
Jaynes, Julian - Origin Of Consciousness In The Breakdown Of The Bicameral Mind, The
Kerouac, Jack - On The Road
Kidd, David - All The Emperor’s Horses
Koestler, Arthur - Darkness At Noon
Laing, R. D. - Divided Self, The
Di Lampedusa, Giusseppe - Leopard, The
Larson, Nella - Passing
Lautréamont, Comte de - Maldodor
Lawrence, D.H. - Lady Chatterly’s Lover
Lebowitz, Fran - Metropolitan Life
Lévi, Eliphas - Transcendental Magic, Its Doctine and Ritual
Lewis, Wyndham - Blast
Marcus, Greil - Mystery Train
McEwan, Ian - In Between The Sheets
Milligan, Spike - Puckoon
Mishima, Yukio - Sailor Who Fell From Grace With The Sea, The
Mitford, Jessica - American Way Of Death, The
Nabokov, Vladimir - Lolita
Norman, Howard - Bird Artist, The
Norris, Frank - McTeague
O’Hara, Frank - Selected Poems
Orwell, George - 1984
Orwell, George - Inside The Whale And Other Essays
Packard, Vance - Hidden Persuaders, The
Pagels, Elaine - Gnostic Gospels, The
Paglia, Camille - Sexual Personae: Art And Decadence From Nefertiti To Emily Dickinson
Petry, Ann - Street, The
di Pirajno, Alberto Denti - A Grave For A Dolphin
Priestley, J.B. - English Journey
Rechy, John - City Of Night
Sadecky, Peter - Octobriana And The Russian Underground
Saunders, Ed - Tales Of Beatnik Glory
Savage, Jon - Teenage
Selby, Hubert Jr. - Last Exit To Brooklyn
Spark, Muriel - Prime Of Miss Jean Brodie, The
Steiner, George - In Bluebeard’s Castle
Stoppard, Tom - Coast Of Utopia, The
Sylvester, David - Interviews With Francis Bacon
Thomson, Rupert - Insult, The
Thurman, Wallace - Infants Of The Spring
Toole, John Kennedy - A Confederacy Of Dunces
Waterhouse, Keith - Billy Liar
Waters, Sarah - Fingersmith
Waugh, Evelyn - Vile Bodies
Weschler, Lawrence - Mr. Wilson’s Cabinet of Wonders
West, Nathanael - Day Of The Locust, The
White, Charles - Life And Times Of Little Richard, The
Wilson, Colin - Outsider, The
Wolf, Christa - Quest For Christa T, The
Wright, Richard - Black Boy
Yokoo, Tadanori - Tadanori Yokoo
Zinn, Howard - A People’s History Of The United States
It's definitely true. Progressivism is the memetic leftover of north-eastern US Mainline Protestantism. The poster above you makes the mistake of comparing it to actual religions, when progressivism has evolved to drop the religious components, which still makes its followers the cultural descendants of creepy religious maniacs even though they don't believe in a God (also, as a side note, consider that this makes progressives not "anti-American" as right wingers make them about to be, but "ultra-American" in the sense of trying to make the US progress into a more 'pure' and ethical state, as the Puritans wanted it to be. Edit: also consider that this might make the right/left 'culture war' more of a religious war between two protestant-influenced sects). This was mainly done for political power. Think about it, there is supposed to be a disconnect in the US between the state and religion, what better way for a memeplex to adapt to its environment then to drop the supernatural bits, and focus on propagating the values, mores, and aspirations of its believers through political power.
You asked for evidence, here is a number of excellent sources:
The main book you should read is "The Puritan Origins of AMerican Patriotism." That pretty much lays out the argument.
Also check out "The Making of An American Thinking Class: Intellectuals and Intelligentsia in Puritan Massachusetts." It makes the case that Puritans are the forefathers of American radicalism.
I also recommend these:
God's New Israel: Religious Interpretation of American Destiny.
The Protestant Ethic and the Spirit of Authoritarianism.
Hellfire Nation: The politics of sin in America.
Also check out Michael Burleigh's two books on political religions (Earthly Powers and Sacred Causes). This isn't an aberration of history. Religious movements often drop their supernatural components under the guise of 'reason' and 'rationality' so as to adapt to the culture and politics.
And if you are still not convinced, here is a large list by an American urban historian: http://www.amazon.com/A-History-of-American-Radicalism/lm/R2...
Edit: I also forgot to mention there is a blogger that writes about this topic often. I generally disagree with a lot of what he says, but he comes up with a number of primary and secondary sources for this historical hypothesis.
Here is one post that sums it up: http://unqualified-reservations.blogspot.com/2007/07/univers...
And the multi-part Open letter series is also good: http://unqualified-reservations.blogspot.com/2008/04/open-le...
