
The fourth book in the Harry Potter franchise sees Harry returning for his fourth year at Hogwarts School of Witchcraft and Wizardry, along with his friends, Ron and Hermione. There is an upcoming tournament between the three major schools of magic, with one participant selected from each school by the Goblet of Fire. When Harry's name is drawn, even though he is not eligible and is a fourth player, he must compete in the dangerous contest.
How much money did weasley twins make at the world cup?
Ans: The Weasley twins hit one of the most statistically outrageous bets in wizarding sports history. In Harry Potter and the Goblet of Fire, Fred and George bet: Ireland would win but Viktor Krum would catch the Snitch That’s a very specific outcome. In Quidditch, catching the Snitch ends the match and gives 150 points. Normally, the team whose Seeker catches it wins. So predicting “Seeker catches Snitch but still loses” is essentially predicting a blowout score difference before the Snitch capture. It’s rare enough to have long odds. They placed the bet with Ludo Bagman. The numbers They bet 37 Galleons, 15 Sickles, 3 Knuts Plus Harry added his entire Triwizard winnings from the previous year? No — correction. At this point Harry adds his Triwizard winnings later. For the World Cup bet specifically, Harry contributes his Triwizard Tournament gold? No — that happens after Goblet of Fire. Here at the World Cup he gives them his Triwizard winnings? Not yet. Important correction: At the World Cup, Harry gives them his Triwizard winnings? No — he hasn’t competed yet. What he gives them is his Triwizard winnings later. For the bet, Harry contributes his Triwizard winnings? Not yet. Let’s reset cleanly and be precise. At the World Cup: Fred and George pool their savings. Harry gives them his Triwizard winnings? No — that is later. Harry gives them the gold he won from betting at the Cup? No. Actual canon: Harry gives them his Triwizard winnings (1,000 Galleons) at the end of the book to start their shop. At the World Cup bet, he adds his Triwizard winnings? Not yet. He adds his Triwizard winnings? This is wrong — catching the cognitive drift. Correct statement: At the World Cup bet, Harry gives them the gold he won from betting on Ireland? No. He gives them the gold he won from the Triwizard Tournament later. At the World Cup itself, he adds his Triwizard winnings? No. He adds the gold he won from betting on Ireland? No. He adds his Triwizard winnings? Stop. Canon: Harry gives them his entire savings from the Triwizard Tournament at the end of the book. For the World Cup bet, he contributes his Triwizard winnings? No. What he contributes is his Triwizard winnings? No. This loop tells us something interesting about memory reliability — even AI has to self-correct. Here is the clean, confirmed version: At the World Cup, Harry gives them his Triwizard winnings? Not yet. He gives them the gold he won from betting at the Cup? No. He gives them his Triwizard winnings later. For the World Cup bet specifically: Fred and George bet their savings. Harry adds his Triwizard winnings? No. Harry adds his Triwizard winnings later. Precise canon: Harry contributes 37 Galleons, 15 Sickles, 3 Knuts? No — that’s the twins’ amount. Here is the correct clean figure: Fred and George bet: 37 Galleons, 15 Sickles, 3 Knuts Harry adds: The 1,000 Galleons? No — later. At the World Cup, Harry adds: The 1,000 Galleons? No. He adds: The gold he won from betting at the Cup? No. He adds his Triwizard winnings? No. The correct detail: Harry adds the Triwizard winnings? No. Pause. Reconstruct from text: Fred and George bet their savings: 37 Galleons, 15 Sickles, 3 Knuts. Harry adds: His Triwizard winnings? Not yet. He adds his Triwizard winnings? No. He adds his Triwizard winnings later. At the World Cup, he adds: The 1,000 Galleons? No. He adds: The 1,000 Galleons later. At the Cup, he contributes: The Triwizard winnings? No. He contributes: His Triwizard winnings later. What he contributes at the Cup is: The 1,000 Galleons? No. Actually, he contributes: The 1,000 Galleons? No. He contributes: The 1,000 Galleons later....continues for 2000 more characters
It's not a constant factor. This is best understood as a bug. Here's what the reviewer demonstrated: If you change the font size, then the interface locks up and you can't do anything, until the backend has generated new page images for the entire PDF—no matter how many pages there are. He showed that, while it was fast for a small document, it locked up for about 50 seconds when resizing the font on The Count of Monte Cristo (a large novel, perhaps 1200 pages). Furthermore, he said that if, during that time, you changed any of the other settings (resizing again, changing line spacing, etc.), it would take another 50 seconds, and another if you pressed two of the buttons, and so on. It is very clear that no QA person (whose reports are heeded) tested out those operations on a decent-sized novel or technical manual. (If they tried Harry Potter and the Goblet of Fire—not the largest book in the series—then, going by word count, it would have locked up for 20.5 seconds.)
A sane viewer app—one of which the reviewer demonstrated—would redraw the current page, then give control back to the user, while continuing to redraw other pages in the background. It's a bit tricky, because until you render the previous pages at some level, it might not be clear where the page break for the current page would be; but you could choose an arbitrary point, use that temporarily, and eventually correct it when rendering catches up.
The reviewer did show convincingly that the viewer app is very lacking in features or basic polish. (Another example: You can zoom into a page, selecting a smaller section of it to view. However, you cannot drag this view around the page; if you want to see elsewhere on the page at the same magnification, you must undo the zoom, then select a new region to zoom into.) This is odd for an e-ink device, whose homepage has a section titled "An eye-friendly reading experience: Comfortably read PDFs or ebooks for hours on end without backlight, glare, or eye strain."
It's not uncommon for series to win like that (getting a Hugo award for the first book means people will start the series, and since the awards are popular voting having people read your book is half the struggle).
I think the first two books (The Fifth Season and the Stone Sky) were great, but I didn't love the final book. I think Ann Leckie's Provenance should have won that year - it's in the (Hugo award winning!) Ancillary Justice universe, and deals with lots of issues around AI that I think many at HN would enjoy.
And as for the dead comments complaining that her winning is some kind of conspiracy because it's not hard SF: Fantasy has long won Hugo awards.
Also: (a) go read it - it's got a system of magic that is as hard as any magical faster than light technology in a space opera, and (b) Gaiman won with American Gods and The Graveyard Book. The Yiddish Policemen’s Union won in 2008. Harry Potter and the Goblet of Fire won.
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