
Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time” Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. A perfect gift for the aspiring filmmaker.
Gotta re-read Rodriguez' "Rebel without a crew" (and try to forget his way subpar episode of the next Disney Star Wars humiliation).
Also, Kevin Smith really hammered this home in one of his recent Q&As, but I can't remember which one. It was really encouraging and beautiful, though.
http://www.amazon.com/Rebel-without-Crew-23-Year-Old-Filmmak...
I would argue that with a movie you actually do iterate and evolve: That's during the editing process. I believe Scorcese once said that his key job as a director was not during filming per se, but during editing.
Also, a curiosity: Rodriguez is a major geek. He does his own special effects on his own studio in San Antonio.
