
Arha's isolated existence as high priestess in the tombs of Atuan is jarred by a thief who seeks a special treasure.
Here's the last paragraph on her comments on Tombs of Atuan. (Um, spoilers, I guess.)
> Rereading the book, more than forty years after I wrote it, I wonder about many of its elements. It was the first book I wrote with a woman as the true central character. Tenar’s character and the events of the story came from deep within me, so deep that the subterranean and labyrinthine imagery, and a certain volcanic quality, are hardly to be wondered at. But the darkness, the cruelty, the vengefulness . . . After all, I could have just let them go free—why did I destroy the whole Place of the Tombs with an earthquake? It’s a kind of huge suicide, the Nameless Ones annihilating their temple in a vast spasm of rage. Maybe it was the whole primitive, hateful idea of the feminine as dark, blind, weak, and evil that I saw shaking itself to pieces, imploding, crumbling into wreckage on a desert ground. And I rejoiced to see it fall. I still do.
A Wizard of Earthsea, the young wizard
The Tombs of Atuan, the adventure (not about the adventure but about the wizard)
The Farthest Shore, mage at the end of failing magic
Tehanu, retirement, ex-wizard, reconciliation
Tales from Earthsea, short stories of wizards in the field
The Other Wind, more retirement, old wizards, settling accounts
And considering how long apart they are written, I marvel at how well they keep to this effort on emotion and mood.
https://en.m.wikipedia.org/wiki/The_Tombs_of_Atuan
The others put me to sleep, honestly
I couldn't get into The Dispossessed. I will try again, though.
I read The Wizard of Earthsea when I was a teen and loved it, struggled with the second book (Tombs of Atuan) at the time, then returned to it 30 years later and now consider it a truly fine work as a story and an examination of religion, tradition, and belief.
Immediately after completing Atuan, moved on to the third book in the series (and liked it) but couldn't get into #4.
I've also enjoyed her short stories, including some of her later collections from the 1990s and 2000s.
A book that is seldom on her "best of" lists but I think should be there IMHO: The Beginning Place. I first read it in the U.K. (with an alternate title, Threshold) but returned to it recently and it holds up in terms of the story and the scope of the strange world it describes. Not to mention the beauty of science fiction or literature or prose or whatever you want to call it in the hands of a master:
The creek, his companion and his guide: what of it? It must join a river, or become a river, downstream, and large or small it must run at last into the sea. His breath caught. He stared blankly at his fire, his mind held by that thought: the sea that lay beyond the coasts of evening. The darkness to which this living water ran. White breakers in the last of dusk and out beyond them the depths, the night. The night, and all the stars.
Then read the rest of the series, which are all good, it is just the first two are particularly wonderful.
