
The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly-disappearing world of privilege they inhabit. Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.
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The best writers don’t only keep you engaged with a gripping tale. They will, under the guise of that compelling narrative, teach you more about human motivation that lies at the base of everything in politics, business and life itself.
Fiction engages the emotions as well as the intellect in a way very little nonfiction can. The ease with which stories become embedded in the memory also gives a novelist the edge. We are much more likely to remember a narrative with a beginning, a middle and an end than a list of valuable instructions. While I can barely remember a page from my undergraduate textbooks, I can still recount stories I learned as a child.
The good novel exploits the virtues of storytelling to capture a truth. I doubt there is as good a nonfiction book that conveys the reality of the life, economics and politics of New York in the 1980s as well as Tom Wolfe’s “The Bonfire of the Vanities.” You can read as many guides to living your best life as you wish, but I defy you to find a better account of the travails of love, happiness, faith and morals as Evelyn Waugh’s “Brideshead Revisited.” Histories of the Cold War are fine, but nothing portrays the moral ambiguities and complexities of geopolitics as effectively as John le Carré’s novels of the age. (Though not his later ones, where the espionage-era paranoia that had entered his soul descended into generic anti-Western, anticapitalist tropes as tiresome as any critical theory textbook.) Booth Tarkington’s “The Magnificent Ambersons” is as good a portrait of 20th-century American capitalism as any economics treatise. If you think you’ve only just discovered technology’s corrosive effect on the human spirit, read Aldous Huxley’s “Brave New World” from 1932.
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(Brideshead Revisited - Evelyn Waugh. Not sure how internationally read it is, but a worthwhile classic. British degrees are classified from firsts to thirds (via upper and lower second class honours) - but the story is (initially) set at Oxford, which at the time awarded fourths.)
https://www.youtube.com/watch?v=S89BHnaxULo
Neuromancer would be hard to do well as a film. But as fairly short TV series it would be excellent. There is huge potential as well because you could do, say Neuromancer in 4 hours and then do the rest of the trilogy.
The best screen adaptation of a book I know of, Brideshead Revisited from 1981, took the book almost word for word and made a fairly long TV series. Neuromancer and the rest of the trilogy could be done the same way.
His diaries probably give the most insight, but if you only read Brideshead Revisited, you'll be a much richer person.