Ringworld
The ' (1970–2004), by science fiction author Larry Niven, is a part of his Known Space set of stories. Its backdrop is the Ringworld, a giant artifact 600 million miles in circumference around a sun. The series is composed of four standalone science fiction novels, the original award-winning book and its three subsequent sequels: 1970: Ringworld 1980: The Ringworld Engineers 1996: The Ringworld Throne 2004: Ringworld's Children The core series was developed with three side series of prequels set in the same Ringworld universe, and written in collaboration: 1988–2009: Man-Kzin Wars (by various edited by Niven) 2007–2010: Fleet of Worlds (by Niven and Edward M. Lerner) 2010-2011: Juggler of Worlds (by Niven and Edward M. Lerner)
Stats for nerds
51recommend
195mentions
159people
2007–2026years
28% recommend66% neutral6% critical
Mentions per year
What Hacker News says
- That book is very much fun and also I never understood why Larry Niven is so obsessed with techno feudalism and gender roles. I think this is my favourite book but I think his best book is maybe Ringworld.
- Ringworld is a great book. The later books have great concepts, but could do without so much. . . rishing. Niven plainly inserted his furry porn fetish into those books, for reasons unclear to any human alive.
- >I think this is my favourite book but I think his best book is maybe Ringworld.
Ringworld is pretty good, the multiples sequels get kind of out there.
- I think we have killed science fiction with all sort of dumb things, but specially social media. And I don't mean that people spend more time on social media than reading (but they definitely do), but that in social media everybody is a bad critic, and that influences authors.
Just to give an example, I put off for many years reading Larry Niven's ringworld series, because I read in Twitter that the book was sexist. Well, it was sexist, but so were things at the time, and Ringworld is an amazing book otherwise, with some actual science sprinkled here and there, a lot of humor, and it's relatively low on drama.
Another science fiction killer was Hollywood. They want so much drama and special effects,and it should be appealing to people who don't know any science at all.
Who knows, maybe AI slop will save us by making us value logical consistency in art, something that current transformers and LLMs are very bad at. But I have more faith on our top-of-the-line AIs becoming logically consistent way before popular culture shifts in that direction, since current economic forces press for smarter AIs and stupider people.
- Have Space Suit Will Travel (Heinlein)
Stranger in a Strange Land (Heinlein)
Rita Hayworth and Shawshank Redemption (one story in the book "Different Seasons" by Stephen King)
Of Mice and Men (Steinbeck)
The Martian Chronicles (Bradbury)
Roadside Picnic (Strugatsky)
Frankenstein (Shelley)
Brave New World (Huxley)
Farenheit 451 (Heinlein)
Never Cry Wolf (Mowatt)
A Whale for the Killing (Mowatt)
The Machine Stops (Forster)
Heart of Darkness (Conrad)
Starship Troopers (Heinlein)
The Jungle Book (Kipling)
Lost in the Barrens (Mowatt)
The Republic (Plato)
Rendezvous with Rama (Clarke)
Ringworld (Niven)
The Stainless Steel Rat (Harrison)
The Hobbit (Tolkien)
Strange Case of Dr Jekyll and Mr Hyde (Stevenson)
The Odyssey (Homer)
The Man who Would be King (Kipling)
The Pearl (Steinbeck)
Thus Spake Zarathustra (Nietzsche)
Do Androids Dream of Electric Sheep? (Dick)
A Scanner Darkly (Dick)
The Hitchhiker's Guide to the Galaxy (Adams)
Dracula (Stoker)
To Kill a Mockingbird (Lee)
The Count of Monte Cristo (Dumas)
Romeo and Juliet (Shakespeare)
The Wind in the Willows (Grahame)
A Christmas Carol (Dickens)
Alice's Adventures in Wonderland & Through the Looking-Glass (Carroll)
Watership Down (Adams)
Gulliver's Travels (Swift)
Animal Farm (Orwell)
- Three Hearts And Three Lions - Poul Anderson
Ringworld - Larry Niven
