
Something is amiss at Unseen Unversity, Ankh-Morpork's most prestigious (i.e., only) institution of higher learning. A professor is missing—but a search party is on the way! A bevy of senior wizards will follow the trail wherever it leads—even to the other side of Discworld, where the Last Continent, Fourecks, is under construction. Imagine a magical land where rain is but a myth and the ordinary is strange and the past and present run side by side. experience the terror as you encounter a Mad Dwarf, the Peach Butt, and the dreaded Meat Pie Floater.Feel the passion as the denizens of the Last Continent learn what happens when rain falls and the rivers fill with water (it spoils regattas, for one thing). Thrill to the promise of next year's regatta, in remote, rustic Didjabringabeeralong. It'll be asolutely gujeroo (no worries).
If you see the Hogfather screen adaptation he plays the role of the wizard Sidney.
I don’t know how close he was to Pratchett - but he has recently written a novel that supposedly was influenced by Discworld[1] (but not of Discworld)
In particular the Watch sub-series.
I grew up reading them from the late 80's on-wards and I actually can't separate my worldview from them anymore, his outlook on life became my outlook on life.
Hope, Cynicism, politics, mortality (Death is a literal character), practicality and absurdity all feature in the series strongly.
Some of my favourite quotes
> Logic is a wonderful thing but doesn't always beat actual thought. (The Last Continent).
> Genius is always allowed some leeway, once the hammer has been pried from its hands and the blood has been cleaned up. (Thief of Time).
> I believe in freedom, Mr. Lipwig. Not many people do, although they will, of course, protest otherwise. And no practical definition of freedom would be complete without the freedom to take the consequences. Indeed, it is the freedom upon which all the others are based. (Lord Vetinari - Going Postal).
> What sort of man would put a known criminal in charge of a major branch of government? Apart from, say, the average voter.
> Technically, the city of Ankh-Morpork is a Tyranny, which is not always the same thing as a monarchy, and in fact even the post of Tyrant has been somewhat redefined by the incumbent, Lord Vetinari, as the only form of democracy that works. Everyone is entitled to vote, unless disqualified by reason of age or not being Lord Vetinari. And yet it does work. This has annoyed a number of people who feel, somehow, that it should not, and who want a monarch instead, thus replacing a man who has achieved his position by cunning, a deep understanding of the realities of the human psyche, breathtaking diplomacy, a certain prowess with the stiletto dagger, and, all agree, a mind like a perfectly balanced circular saw, with a man who has got there by being born… A third proposition, that the city be governed by a choice of respectable members of the community who would promise not to give themselves airs or betray the public trust at every turn, was instantly the subject of music-hall jokes all over the city.
I do feel like the texture and tone if his books has changed recently, starting with "Thud!"
The folklore of discword book also helped give insight to how his world is created - much of it is based on existing myths and stories. (I love how he combined asimovs 3 laws with gollum legends. )
The diagnosis was announced in 2007, meaning the shift occurred in 1997. 1997 was after Jingo and before Carpe Jugulum and The Last Continent, and 2007 was after Making Money and before Unseen Academicals.
The Last Continent is the first identified in the paper as below the cutoff for adjectives which they use to identify the start of the decline.
My own feeling is that many of his strongest works were before 2000, though he had several excellent ones after (the City Watch and first two Moist von Lipwig; I know the ongoing Tiffany Aching series are good, but in terms of writing I found them not as intricate as his earlier books.) I found Snuff harder to read, and Raising Steam, sadly, very difficult. I could tell the genius was there, but my memory of the writing was that it used much longer sentences, had less intricate plotting, and far fewer puns and wordplay. It was this book that made me really feel a sense of grief for what was happening to him, and it was this one where I first felt there was an observable threshold that was crossed.
I have sometimes wondered if it would be respectful if another author was brought into assist in editing or rewriting his last two novels. I know his unpublished works were destroyed, and any writing assistance is not his own voice. Yet I feel, in a sense, seeing books with such clear decline could in itself have let his legacy down. I don't know what his own view was or would be. While I admire Sanderson' continuance of the Wheel of Time, I would not wish such a drastic change in tone for some similar effort for the last of Pratchett's works. Yet I deeply wish that his last books were, somehow, different, more representative of him that I feel they were, in that his illness (in a sense, of course!) let him down. They cause me sadness.
GNU Terry Pratchett. (My own site sends this too.)
