
In the 25th century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself--a person's consciousness can be easily downloaded into a new body, making death nearly obsolete. Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly brutal. Resleeved into a new body in Bay City (formerly San Francisco), Kovacs is thrown into a shady, far-reaching conspiracy that is vicious even by the standards of a society that buys and sells human existence. As a warrior-for-hire, he is called to help a far-flung planet's government put down a bloody revolution. But when a rogue pilot and a sleazy corporate fat cat offer him a lucrative role in a treacherous treasure hunt, he's only too happy to go AWOL with a band of resurrected soldiers of fortune. All that stands between them and the ancient alien spacecraft they mean to salvage are a massacred city bathed in deadly radiation, unleashed nanotechnology with a million ways to kill, and whatever surprises the highly advanced Martian race may have in store.
In the book almost anyone that has lived could live forever but that could never happen with limited resources/space so only the ultra-wealthy are able to.
I'd skip the tv show. Also, the books (it's a series) seem to be unfinished? I could be wrong, it's been so long since I read it but it seems like some sub-story about extinct aliens wasn't finished.
From Neuromancer and Snow Crash to Altered Carbon the theme is that technology is not salvation but as another axis of inequality.
Here's my log for 2025, most recent at the top. Currently I am slogging my way through Heinlein's "The Number of the Beast" which I'm not a fan of. Halfway done with it though!
Gabrielle Zevin, "The Hole We're In" (not my usual genre, enjoyed this though)
Robert A. Heinlein, "Stranger in a Strange Land" (pretty good)
Robert A. Heinlein, "Time Enough for Love" (PHENOMENAL, highly recommended)
Robert A. Heinlein, "Methuselah's Children" (pretty good, required to understand "Time Enough for Love")
Richard K. Morgan, "Altered Carbon" (very good)
Robert A. Heinlein, "The Rolling Stones" (young adult, but good all the same)
Robert A. Heinlein, "The Moon is a Harsh Mistress" (very good)
Piers Anthony, "On A Pale Horse" (very good, never got very far into the series though)
Lincoln Child, "Full Wolf Moon" (okay, not great)
Lincoln Child, "The Forgotten Room" (pretty good)
Lincoln Child, "The Third Gate" (very good)
Lincoln Child, "Terminal Freeze" (okay, not great)
William Gibson, "In the Beginning… Was the Command Line" (good, but outdated, look up what he's said about it more recently)
Lincoln Child, "Deep Storm" (very good)
James Patterson, "Along Came a Spider" (not my usual genre, okay though)
Jules Verne, "Around the World in 80 Days" (from childhood, revisited)
