One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the Buendia family, set against the background of the evolution and eventual decadence of a small South American town, the mythical town of Macondo.
We find art that is fun and interesting and unexpected and it expands what we are. That's one of the purposes of art. Watching something predictable eventually gets your survival boredom instinct to kick in. Is this not a common experience?
[1] https://youtube.com/watch?v=Iwo4-wcodpM&pp=0gcJCXICo7VqN5tD
Science fiction is more fun to read, and often more creative - authors aren't limited to the sociopolitical realities of 18th century South America, they can invent whatever systems they like, and then the question is whether their world-building skills are good enough to avoid obvious inconsistencies.
Yes, people are still reading - but they're reading Adrian Tchaikovsky, Iain M. Banks, William Gibson, Susanna Clarke and host of others who aren't limited to scenes of 'historical realism' (which to be honest are often distorted pictures of history that were socially acceptable to the publishing houses of their day).
You can still read the classics - Conrad is my favorite late 19th/early 20tth century author - but Lovecraft is just as worth reading.
No, you can't say it has fantasy elements. Then it wouldn't be culture.
Marquez is great btw. Blame the critics.
* Animal Farm - George Orwell
* The Fall - Albert Camus
* Flowers for Algernon - Daniel Keyes
* One hundred years of solitude - Gabriel García Márquez
* The Master and Margarita - Mikhail Bulgakov