Super-Cannes
In the hills above Cannes, a European elite has gathered in the business-park Eden-Olympia, a closed society that offers its privileged residents luxury homes, private doctors, private security forces, their own psychiatrists, and other conveniences required by the modern businessman. The book's protagonist, Paul, quits his job as an editor and moves to Eden-Olympia with his wife Jane when she is offered a job there as a pediatrician. At first glance, Eden-Olympia seems the ideal workers' paradise, but beneath its glittering, glass-wall surface, all is not well.
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2014–2026years
67% recommend33% critical
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What Hacker News says
- Super Cannes should be a perfect place to start for anyone reading this site.
- I really enjoyed some of his later books too. Cocaine Nights and Super Cannes are great.
Like a lot of his books they seem simple until you dig into them. They fry my brain a bit but that’s surrealism for you.
Will Self has some good writing about Ballard.
- Super-Cannes - JG Ballard
- From the short stories, you might start with the following:
The Thousand Dreams of Stellavista, The 60 Minute Zoom, The Secret History of World War 3, The Intensive Care Unit, The Gioconda of the Twilight Noon
The novella, Running Wild, might be a good place to start.
With his novels, I would read the big three from the 70's (Crash!, Concrete Island, High Rise), and then maybe the two best of his latter period (Cocaine Nights, Super-Cannes).
- Depends on what you're after. Ballard had several modes in which he wrote.
The early works were generally overtly sci-fi, but mostly earthbound, fitting into the British New Wave of the 1960s, alongside John Brunner. The Drowning World and The Crystal World are both fantastic and unusual for the genre. The short stories are often excellent, and in my opinion some of his most original work is in this period.
The major transition came with The Atrocity Exhibition, a "cut up" novel that was more Cronenberg/Borroughs/Lynch than what came before, and magnified themes that had been emerging in his short stories. Alienation, pop culture fetishism, clinical descriptions of injuries, war (the book was originally called Love and Napalm), the horror lurking under placid suburban utopia. Crash, High-Rise etc. followed in that vein. Crash is probably the best from this period.
He wrote two autobiographical mainstream novels: Empire of the Sun is the famous one.
The late 90s/2000s novels like Super-Cannes are all rethreads of earlier stuff; the Freudian pop-psych view that we are basically animals denied the outlet of violence got a bit tired at this point. They're really well written, but I felt Ballard had lost his edge and didn't have anything insightful to add. His last novel is quite average.
So: The Atrocity Exhibition, Crash, maybe The Crystal World or the collected short stories.
- This is one of my favorite short stories.
Ballard is best known for his novels, but he also wrote a number of exceptional stories — some favourites include "The Drowned Giant", "A Question of Re-Entry", "The Terminal Beach", "The Garden of Time", "Dream Cargo", and some of his earlier stories like "Billennium", "Chronopolis", "The Concentration City" (also published as "Build-Up").
There's a two-volume collection of all his short stories, although it honestly contains more misses than hits. The individual collections "The Terminal Beach" and "Vermillion Sands" are great.
Ballard had several "niches" he operated in. One thread running through much of his work is a preoccupation with physical spaces and architecture, inhabited by alienated characters with some repressed, dark psychological traits (obsessiveness, violence, narcissism) that's held in check by modern society. He keeps going back to the theme of men (they're almost always men) regressing to a "natural" violent state: High Rise, Running Wild, Crash, Super-Cannes, Cocaine Nights, and so on are all about this. His later books are a little tiring because of this; too many books about rich people using violence as a means of psychological release, with a smattering of pop psychology stuff that frankly hasn't aged super well.
Personally, I find his earlier, wilder, more abstract fiction a little bit more interesting the later stuff. I would recommend starting with The Crystal World, which is fantastic.
