
Young Fitz is the bastard son of the noble Prince Chivalry, raised in the shadow of the royal court by his father's gruff stableman. He is treated like an outcast by all the royalty except the devious King Shrewd, who has him secretly tutored in the arts of the assassin. For in Fitz's blood runs the magic Skill--and the darker knowledge of a child raised with the stable hounds and rejected by his family. As barbarous raiders ravage the coasts, Fitz is growing to manhood. Soon he will face his first dangerous, soul-shattering mission. And though some regard him as a threat to the throne, he may just be the key to the survival of the kingdom.From the Paperback edition.
She published the first trilogy, which begins with Assassin's Apprentice, starting in 1995. I saw the books when they first came out and I assumed from the title and the cover that it would be a cheesy fantasy by the numbers, so I never bought it. But I kept hearing about these books from other people who liked SFF, so I finally picked up the first trilogy.
I was completely wrong. It's not at all by the numbers. While it's not trope-free (nothing is), there are all sorts of interesting ideas, from the political to ecological. As you read the later series, the world opens up quite a bit, and it gets even more interesting. The final trilogy brings so many elements together, and the ending is shatteringly powerful.
While this is epic fantasy, it's _not_ at all grimdark. Bad things definitely happen, but it's more hopeful and humane than something like Malazan or Song of Ice and Fire.
I can't recommend these books highly enough. Even if her writing is slowing down, I hope that she's satisfied with what she's done. This series alone is an enormous accomplishment. To build a world across so many books, across so many years, and have it come together so well in the end is massively impressive.
I picked up The Assassin’s Apprentice while looking for something to fill the Rothfuss void. I was instantly hooked. The tone and the pace was just right for me. I really like that they are so character-driven, deeply exploring the characters’ emotions, history, flaws, etc. And she’s great at having the plot build and build until basically everything is going wrong, and then she delivers a super satisfying ending.
I usually take a short break between each tril, but I might just go straight into her last batch after I finish this book.
I notice a similar trend in my enjoyment of RPGs, preferring something with a fairly linear storyline to more open world games.
