
Karl Glogauer is a disaffected modern professional casting about for meaning in a series of half-hearted relationships, a dead-end job, and a personal struggle. His questions of faith surrounding his father's run-of-the-mill Christianity and his mother's suppressed Judaism lead him to a bizarre obsession with the idea of the messiah. After the collapse of his latest affair and his introduction to a reclusive physics professor, Karl is given the opportunity to confront his obsession and take a journey that no man has taken before, and from which he knows he cannot return. Upon arriving in Palestine, A.D. 29, Glogauer finds that Jesus Christ is not the man that history and faith would like to believe, but that there is an opportunity for someone to change the course of history by making the ultimate sacrifice.
"The Sparrow"
"Lord of Light"
"The Immortal"
"Hyperion"
"The Last Question"
"Do Androids Dream of Electric Sheep?"
"Stranger in a Strange Land"
"The City and the Stars"
"Childhood's End"
"Anathem"
"Eifelheim"
"A Case of Conscience"
"VALIS" trilogy
"The Book of Strange New Things"
"Behold The Man"
"The God Engines"
"Book of the New Sun"
"The Parable of the Sower"
"The Dosadi Experiment"
"Grass"
"Project Pope"
"Calculating God"
"Factoring Humanity"
"Jesus on Mars"
"Surface Detail
Michael Moorcock, An Alien Heat & Behold the Man.
This, on the other hand, suggests you can change the fine detail of history (e.g. the identity of patient zero) but not its broad strokes (the occurrence of a global pandemic).
At least, that's what I gather from the article: I haven't read the paper, and suspect it would be a waste of time as my maths and physics are both rudimentary.
