
There is an ever-increasing demand for a standard way to transport colours among devices on the Internet, and for achieving colour fidelity across digital media. The rapid growth in colour imaging technology has led to the emergence of colour management systems. These systems require colour appearance models so that images produced in one medium and viewed in a particular environment, may be reproduced in a second medium and viewed under different conditions. The eagerly anticipated second edition of Colour Appearance Models brings the fundamental issues and current solutions in the area of colour appearance modelling together in a single place for those needing to solve practical problems or looking for background for ongoing research projects. This book provides the relevant information for an updated review of colour appearance and provide details of many of the most widely used models to date, for example, Nayatani et al., Hunt, and RLAB and the ATD and LLAB appearance models that are of increasing interest for some applications. It also includes the recently formulated CIECAM02 model that represents a significant improvement of CIECAM97S and is the best possible model based on current knowledge. Fairchild presents an updated overview of device-independent colour imaging and finally introduces the concept of image appearance modelling as a potential future direction for colour appearance modelling research.
Modern color modeling is much richer then 3 parameters, because human vision is much more complex than simply color frequencies. CIE 1931 was low brightness, 2 degree field of vision, center of vision derived. As brightness increases, color perception shifts. Colors are NOT linear; sRGB and CIE 1931 chose such a small section of human vision that they approximate that section with a linear assumption. Modern CIECAM models are not linear, are not 3 parameter, because color is not linear (CIECAM02 is 6 parameter [2], there are several after that one). A century of experiments, wide color gamuts, HDR, have thrown out CIE 1931 as a good model. It’s only momentum now, and slowly higher end things are replacing it.
A good introduction is Color Appearance Models, by Mark Fairchild, also any of his technical papers give a starting point into the science.
[1] https://community.acescentral.com/t/cie-2015-cmfs-what-would...
If the link doesn't work, the paper is called: Brightness, lightness, colorfulness, and chroma in CIECAM02 and CAM16.
Also, if you want a readable introduction to color science, you can check out his book Color Appearance Models.
I think someday soon I'll be communicating about this more widely, we'll see though
Or you can buy an introductory color science book or two. Let me recommend Mark Fairchild's Color Appearance Models, https://www.amazon.com/dp/1119967031/ but here are a few others https://www.amazon.com/dp/1119367220 https://www.amazon.com/dp/0470024259 https://www.amazon.com/dp/1118173848/ https://www.amazon.com/dp/0470049049
> it is a pragmatic approach
Having tried to talk face-to-face to many people from different backgrounds about color, in practice this doesn’t work. People are starting with too many misconceptions and gaps in foundational knowledge.
If you want to understand color you have to start with at least the basics about the physiology of human vision, along with some basic optics. It is all but impossible to properly understand what is going on with RGB displays, understand what “white point” means, etc. without that background.
One of the resource recommended at the end, Bruce MacEvoy’s site http://handprint.com/LS/CVS/color.html is a much better starting place, albeit pretty long for someone just interested in the basics.
Or there are many books about human color vision and color reproduction, some friendlier for laypeople and others highly detailed and technical. To understand recent color models Mark Fairchild’s book Color Appearance Models is pretty good, and the first half is a pretty accessible general overview. Or for more about color reproduction try Billmeyer and Saltzman’s Principles of Color Technology (recent editions rewritten by Roy Berns). For more about colorimetry try Hunt & Pointer’s book Measuring Color. Or for something historical, try Kuehni’s Color Space and Its Divisions.
You sound like a perfect candidate to dig into Colour. There are a great many extremely knowledgeable people around that project that can help.
Mark Fairchild's Color Appearance Models is probably about the most canonical tome one can recommend, with the caveat above.
To do what you are seeking, you would need an accurate profile of your camera in question, as well as likely a spectrophotometer for the objects in question. It is a pretty tricky field.
I would encourage you to contact the Colour Science Twitter feed to get in on the Slack channel for help and guidance.
See you there!