
From master storyteller Carlos Ruiz Zafon, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game — a dazzling new page-turner about the perilous nature of obsession, in literature and in love.The whole of Barcelona stretched out at my feet and I wanted to believe that when I opened those windows — my new windows — each evening its streets would whisper stories to me, secrets in my ear, that I could catch on paper and narrate to whomever cared to listen…In an abandoned mansion at the heart of Barcelona, a young man, David Martin, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed — a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more.
This happens with more writers (and other artists) than many people think. I read Carlos Ruiz Zafón's The Shadow of the Wind and The Angel's Game and loved both: they're incredibly rich and detailed yet driven by plot; they have the action that a lot of unsophisticated readers crave and content that can still satisfy someone who's read 10,000 novels. Oh, and it made me laugh out loud.
U.S. publishers are now releasing his young adult novels. Two so far, two more to come. And they're terrible. Almost unreadable bad. No plot, cardboard characters, wild improbability poorly embedded in a paranormal universe. You can see flashes of his later skill, but his early stuff is lousy.
I said this in another comment, but I'll say it again here: I just started reading David W. Galenson's Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity, (http://www.amazon.com/gp/product/0691133808/sr=8-1/qid=13150...), which is where Malcolm Gladwell stole / sourced his New Yorker article "Late Bloomers - Why do we equate genius with precocity?" (http://www.newyorker.com/reporting/2008/10/20/081020fa_fact_...). Galenson says that there are two basic modes for artists to follow: the experimentalists who try many things over long periods of time and eventually reach fullness, and the "conceptual innovators" whose sudden insight into a field fuels their work, which is often done at a young age. Under your reading, Stephenson would be the "experimentalist."
They replaced their information counter with a computerized system that failed miserably in helping me locate a book I wanted. The book in question was Carlos Ruiz Zafón's 'The Angel's Game'. My friend had shared about the book over dinner and some of us had decided to get a copy. We went down, searched for it using the computerized system, was informed that the book was available (at least that's what the system seem to be saying). It could not be found anywhere on the shelves (where the system said it was supposed to be); more importantly, none of the staff could help us. In short, the new information counter was useless.
In the early days, the information counter was run by people who knew and loved books. The proof of that was: 1. They could always help locate the book physically. 2. If the book wasn't in stock, they would also be spot on in recommending a similar book that would interest me. It was the second point that got me buying a couple of extra books.
The lost of knowledgeable counter staff in hindsight was indicative of a culture shift in Borders from that of being a place where people passionate about books gathered to a place where shit got sold and it just so happened to be books.
The second incident was noticing that valuable store space was being used to sell toys and kitchenware. Yes, kitchenware in a bookstore.
In the end, I got 'The Angel's Game' and Carlos Ruiz Zafon's 'The Shadow of The Wind' at a local store http://www.booksactually.com/. I recommend this store to anyone who love books and is in Singapore. Clear showcase of how domain knowledge and intimate customer relations can help a local institution compete against the scale and supposedly lower prices of steam rolling multinational companies.
