
In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."
In no order here goes
1. Blood meridian
2. The Bell Jar
3. Of Mice and Men
4. Mason and Dixon (everyone’s gonna say “Gravity’s Rainbow” but I think since this is an explicitly American list, the themes of Mason and Dixon of the North/South divide etc put it more squarely on this list)
5. To Kill a Mockingbird
6. Moby Dick (I’m not the biggest fan of this actually but it’s way better than Gatsby for me)
7. Walden (Does this count? Anyway whatever. Walden)
8. Portrait of a Lady
9. Infinite Jest
10. Go tell it on the mountain
Honestly this is right off the top of my head and looking back I haven’t even got any Hemingway on here, or Ralph Ellison, or Toni Morrison. I could make a case for Slaughterhouse 5 or Catch-22 or The Naked and the Dead or a bunch of other things. Like even though I think he’s a total tool, Bonfire of the Vanities probably has a good case for being on the list
I just genuinely don’t get the fuss about Gatsby. I’m glad people like it, but there seem far, far better American novels.
Edit to add: And yes I did read it. Twice in fact, once in my late teens after I had read a lot of serious literature and thought it was ok but not great and then again in my late 30s because I was sure I must have missed something and was very disappointed to come to the conclusion that I really hadn’t.
I have two theories for why maybe people like it so much. Firstly, because the author is such a stylist and they get strung along by some of the prose. But when you read a truly jawdropping stylist like for example in my book Joyce or Virginia Woolf or Cormac Macarthy, F. Scott Fitzgerald really doesn’t stand well in that company.
Second theory (perhaps cynical) is that it’s the first novel in the US school syllabus that gets really serious literary criticism applied to it and so for a lot of people it is the book that awakens them to the power of literature. I could totally see that if you had a really great teacher introducing you to proper literature by means of the book you might love the experience and, because of that, the book.
> This is even more true today, when the intersectional grid draws rigid lines between “oppressor” and “oppressed” that Baldwin, despite the animus against white America that ballooned as he aged, was far too subtle a thinker to accept.
If you think that the inline definition of "intersectional" is an accurate one, the rest of the essay follows. You may or may not learn anything, though if this prompts you to read "Go Tell It on the Mountain", that would be a great outcome.
If you actually know anything about theory, then you'll see the rest of the essay as rhetorical shadow-boxing with something no one is actually saying.
I highly doubt school libraries function any differently. Every year you receive a magazine with books who received prizes/recommendations, you move older books that aren't read to the reserve and command new ones. In my country, you especially have the 'highschooler prize' (not sure how to translate it), which is voted upon by students from 50 different highschool accross the country, and the winners are always recommended by the magazine.
My advice would be, rather than preventing librarians to do their job, maybe write better books? Prevent new commands rather than remove already existing books? Because putting 'Go Tell It on the Mountain' on the shelves isn't ideology, just good taste. Removing it is.
What really grind my gear is that I would bet censors don't read or review books. Book reviewing was a staple of my curriculum from 11 to 16, so I imagine it isn't hard. Censors should have to write at least a book review a year, graded (not to prevent them to censor, just publish the grade so we could see their reading level).
I also recently read some of the popular modern books about race in America (Between The World and Me, The New Jim Crow, etc) and I found Baldwin just as essential to understanding the world in 2016. Particularly with 'The Fire Next Time', I felt the book achieved its goals perfectly.
