
"The story of humanity is the story of textiles--as old as civilization itself. Textiles created empires and powered invention. They established trade routes and drew nations' borders. Since the first thread was spun, fabric has driven technology, business, politics, and culture. In The Fabric of Civilization, Virginia Postrel traces this surprising history, exposing the hidden ways textiles have made our world. The origins of chemistry lie in the coloring and finishing of cloth. The beginning of binary code--and perhaps all of mathematics--is found in weaving. Selective breeding to produce fibers heralded the birth of agriculture. The belt drive came from silk production. So did microbiology. The textile business funded the Italian Renaissance and the Mughal Empire; it left us double-entry bookkeeping and letters of credit, the David and the Taj Mahal. From the Minoans who exported woolen cloth colored with precious purple dye to Egypt, to the Romans who wore wildly expensive Chinese silk, the trade and production of textiles paved the economic and cultural crossroads of the ancient world. As much as spices or gold, the quest for fabrics and dyes drew sailors across strange seas, creating an ever-more connected global economy. Synthesizing groundbreaking research from economics, archaeology, and anthropology, Postrel weaves a rich tapestry of human cultural development"
It's chok full of interesting stuff.
Highly recommended.
She, and the acoup site make the point about the sheer cost of labour to make thread, and the asymmetry in costs to produce sufficient thread from either a staple or from a source of filament like silk, compared to the rate of weaving which itself is not exactly cheap labour.
Producing thread is probably the limiting factor in times past. It's unavoidably time consuming before there are 'machines' -the first machines are very likely to be the conical weights which combine with a spindle to make a spinning device to allow faster thread production, and finally the invention of the spinning wheel.
There's over a kilometre of thread in a pair of trousers.
Women are portrayed as spinning back to greek vases and Egyptian murals because it was a task which consumed as much of their working day as possible, alongside other duties. For complex thread production, Women could be paid more than unskilled men, for this task. (They were typically underpaid compared to men for almost all work)
After that she discusses the enormous amounts of labor required to turn raw materials into threads and how the development of different tools was an important part of developing civilization. This book mostly talks about cloth, which is an entire other chapter owing to how that is its own step up in complexity from producing thread.
![Cover of The Story of Civilization [complete]](/covers/OL1073905W-200.webp)