
Introducing a major literary talent, The White Tiger offers a story of coruscating wit, blistering suspense, and questionable morality, told by the most volatile, captivating, and utterly inimitable narrator that this millennium has yet seen.Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along.Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one).
Went down a bit of a rabbit hole on the original author, Kir Bulychev, and saw that he wrote many short stories set in Veliky Guslar (which explained the name Greater Bard). The overall tone is very very similar to R.K. Narayan's Malgudi Days (albeit without the fantastical elements of talking goldfish), which is a favorite of mine. If anyone wants to get into reading some easily approachable Indian English literature, I always point them to Narayan and Adiga (who wrote The White Tiger).
On that note, does anyone else have any recommendations on authors who make use of this device (small/mid-sized city which serves as a backdrop for an anthology of short stories from a variety of characters' perspectives)?
Coders at Work by Peter Siebel and Founders at Work by Jessica Livingston - I loved reading about the founder's stories and first-hand perspectives of notable programmers.
The Pleasures and Sorrows of Work by Alain de Botton - really interesting perspective on "work" and various types of careers and people that find happiness in them/work itself.
Superfreakonomics by Steven Levitt and Stephen Dubner - even if you don't agree with their arguments or think that the authors are all fluff, I think that their writing style is exceptionally clear and easy to understand.
The Black Swan by Nassim Nicholas Taleb - some really interesting ideas and analysis, although the book could have been 1/2 as short
Fiction:
Anathem by Neal Stephenson - starts out slow but after the first 200 pages it became a really great story that I couldn't put down.
Life of Pi by Yann Martel - loved the main story of the book, the controversial ending didn't bother me too much because I don't feel like it takes away from the story at all.
The Girl With The Dragon Tattoo and The Girl Who Played With Fire by Stieg Larsson - cheap fun and suspenseful
The Road by Cormac McCarthy - I don't think much needs to be said about this book
White Tiger by Aravind Adiga - extremely interesting and gripping novel about a side of the world most of us Westerners never see
Hitchhikers Guide to the Galaxy by Douglas Adams - finally read this classic. I read the "Ultimate Edition" which contains all 5 of Adams' novel, loved the first one but the story felt like it started to putter out by the third.
So it isn't really a brain circulation as much as one individual's canny career movie for someone whose profession is writing. And it did work, he got published in the NY Times!
If I were more uncharitable, I'd call this "artistic slumming" for a new experience fix.
