
Young Rue Cassels of the Cycler Compact—a civilization based around remote brown dwarf stars—is running for her life from her bullying brother, Jentry, who has stolen her family inheritance and threatens to sell her into slavery. Fleeing in a shuttle spacecraft from the sparsely populated and austere comet-mining habitat she has lived in her whole life, she spots a distant, approaching object, and stakes a legal claim to it. It is not the valuable comet she hoped for but something even more wonderful, an abandoned Cycler starship. Since the discovery of a faster-than-light drive, unfortunately operable only between larger stars, the Cycler Compact civilization has gradually dwindled. It's much cheaper for the star-based civilizations of the new Rights Economy to bypass the stops that can't be made with the new technology, and the civilizations of the brown stars are gradually sinking into anarchy and chaos. It has been decades since the last Cycler ship passed anywhere near the system in which Rue grew up. Her discovery unleashes a fury of action, greed, and interstellar intrigue as many factions attempt to take advantage of the last great opportunity to revitalize-and perhaps control—the Compact. This is the story of Rue's quest to visit and claim this ship and its treasures, set against a background of warring empires, strange alien artifacts, and fantastic science.
I always thought this reviewer quote on the front of Ventus was pretty funny:
> “Dramatically effective and a milestone in science fiction about nanotech and fine-grained distributed systems.” – Vernor Vinge
Check out The Machine Stops by E. M. Forster, Unauthorized Bread by Cory Doctorow, Permanence by Karl Schroeder.
- Reamde, by Neal Stephenson. What a let down, very formulaic.
- Vortex, by Robert Charles Wilson (sequel to Spin and Axis). Spin is a must-read, Vortex was quite pleasant and brings a satisfying closure to the series.
- Permanence, by Karl Schroeder (re-read). Lots of awesome tidbits (property, rights, AR, anthropocentrism) scattered through an entertaining semi-hard sci-fi space opera.
- La Zone du Dehors, by Alain Damasio. A spiritual sequel to 1984.
- Fahrenheit 451, by Ray Bradbury (finally!)
- The Affinities, by Robert Charles Wilson
- La Horde du Contrevent, by Alain Damasio (in progress). A fantastic, ontologic, poetic story about the wind.
As well as a couple non-fiction:
- Surely You're Joking, Mr. Feynman! This is made of pure awesomesauce and perfectly captures the kind of spirit at the root of hackerdom.
- Pale Blue Dot, by Carl Sagan (in progress). Humbling.
- Steve Jobs, by Walter Isaacson. Surprised me in many ways.
For a more recent take on the topic check out Karl Schroeder's Permanence [1] which is a damn fine read and doesn't run the hyperspace cheat and is all the more operatic for that.
Before you start writing your book, you might want to familiarize yourself with the prior art in the field: start with the short story "Swarm" by Bruce Sterling, then the novel "Permanence" by Karl Schroeder, "Blindsight" by Peter Watts, and maybe "Diaspora" by Greg Egan. That's assuming that by "planning a book" you're thinking in terms of fiction rather than SETI-oriented non-fic, but even if you're writing non-fic it's worth noting that we SF authors have been all over the topic for decades. (As for non-fic, the prior art goes all the way back to J. D. Bernal's "The World, The Flesh, and The Devil", if not further: I don't read Russian but I gather Nikolai Federov wrote on the subject, as did Konstantin Tsiolkovsky.)
