
First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought--one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Levi-Strauss have served as introductions to Derrida's notions of writing and difference--the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing--for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Differencereveals the unacknowledged program that makes thought itself possible.
Tractatus Logico-Philosophicus
(Ludwig Wittgenstein)
Being and Time (Martin Heidegger)
Of Grammatology (Jacques Derrida)
Writing and Difference (Jacques Derrida)
Martian Timeslip (Philip K. Dick)
Ringworld (Larry Niven)
The Forever War (Joe Haldeman)
The Metamorphosis (Franz Kafka)
Finally, the Greek tragedies and Goethe's poetry are basically perfect.Russia Leaves the War, George Kennan (WW I); The Fate of Man in the Modern World, Nikolai Berdyaev; Philosophy of Logic, W.V.O. Quine; Marrow and Bone, Walter Kempowski; White Teeth, Zadie Smith; Bring Up the Bodies, Hilary Mantel; Writing and Difference, Jacques Derrida; Cartesian Meditations, Edmund Husserl (not quite to the end).
White Teeth is charming, and I will read more of Smith's work fairly soon. As for Kempowski's novel, I don't know that I'm a feminist, but the women in his novels (this and All for Nothing) seem to run to the ineffectual.
