
A fabulous collection spanning the galaxies and career of SF superstar Alastair Reynolds Reynolds' pursuit of truth is not limited to wide-angle star smashing - not that stars don't get pulverised when one character is gifted (or cursed) with an awful weapon by the legendary Merlin. Reynolds' protagonists find themselves in situations of betrayal, whether by a loved one's accidental death, as in 'Signal to Noise', or by a trusted wartime authority, in 'Spirey and the Queen'. His fertile imagination can resurrect Elton John on Mars in 'Understanding Space and Time' or make prophets of the human condition out of pool-cleaning robots in the title story. But overall, the stories in ZIMA BLUE represent a more optimistic take on humanity's future, a view that says there may be wars, there may be catastrophes and cosmic errors, but something human will still survive.
> ‘But there isn’t anything natural about being alive a thousand years after I was born,’ I said. ‘My organic memory reached saturation point about seven hundred years ago. My head’s like a house with too much furniture. Move something in, you have to move something out.’
> ‘Let’s go back to the wine for a moment,’ Zima said. ‘Normally, you’d have relied on the advice of the AM, wouldn’t you?’
> I shrugged. ‘Yes.’
> ‘Would the AM always suggest one of the two possibilities? Always red wine, or always white wine, for instance?’
> ‘It’s not that simplistic,’ I said. ‘If I had a strong preference for one over the other, then yes, the AM would always recommend one wine over the other. But I don’t. I like red wine sometimes and white wine other times. Sometimes I don’t want any kind of wine.’ I hoped my frustration wasn’t obvious. But after the elaborate charade with the blue card, the robot and the conveyor, the last thing I wanted to be discussing with Zima was my own imperfect recall.
There's another page of the story that starts out with "As for me . . ." and happens several couple of decades later as the reporter reflects.
Reminded me of the short story Zima Blue by Alastair Reynolds (which was adapted into an animation short on Netlifx's "Love, Death and Robots").
