
“The War of the Worlds for the 21st century… packed with a sense of wonder.” – Wall Street Journal The New York Times bestselling conclusion to a tour de force near-future adventure trilogy from China's bestselling and beloved science fiction writer. With The Three-Body Problem, English-speaking readers got their first chance to read China's most beloved science fiction author, Cixin Liu. The Three-Body Problem was released to great acclaim including coverage in The New York Times and The Wall Street Journal and reading list picks by Barack Obama and Mark Zuckerberg. It was also won the Hugo and Nebula Awards, making it the first translated novel to win a major SF award. Now this epic trilogy concludes with Death's End. Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent. Cheng Xin, an aerospace engineer from the early twenty-first century, awakens from hibernation in this new age.
The book has so many great concepts and touches upon many of the fundamental questions of life itself. I fully recommend it if you’re into space sci fi.
Without going into spoilers, Death's End makes everything so... huge. It really made me feel tiny in our universe.
These are good books with some flaws. You should read them.
Yes the mechanics of reading are kind of a slog due to the translation, and constant repetition of full character names. You just have to figure out how to efficiently read it. And there are plenty of scientific and technological incongruities, of the form “if they had the tech to do X, why do they still do Y?” Sometimes there was a narrative reason for such, and the rest I just left to entertainment value while consuming a social commentary.
It was the first time I think encountering some narrative devices which I enjoyed. I liked seeing the dialogue with Trisolarans that appear in a sans-serif font. I liked the excerpts from A Past Outside of Time in Death’s End, although sometimes they wind up sort of repeating what had just happened in the previous chapter. Also the fairy tales in Death’s End I thought were some of the best writing and devices in the whole series.
