
"An enthralling collection of nonfiction essays on a myriad of topics--from art and artists to dreams, myths, and memories--observed in #1 New York Times bestselling author Neil Gaiman's probing, amusing, and distinctive style. An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author's experiences at the 2010 Academy Awards in Hollywood. Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman--offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time."-- Amazon.com.
Dracula by Bram Stoker - because it was mentioned in the previous one and it's amazing how many elements we borrowed / changed / rewritten in the new works compared to the original.
> A big clue comes from the author Neil Gaiman’s collection of non-fiction essays, The View from the Cheap Seats, where he relates an anecdote from the time he attended the 2007 China SF/Fantasy Conference in Chengdu:
> “A few years ago, in 2007, I went to China for the first-ever, I believe, state-sponsored science fiction convention, and at some point I remember talking to a party official who was there and I said, ‘Up until now I have read in Locus that your lot disapprove of science fiction and you disapprove of science fiction conventions and these things have not been deliberately encouraged. What’s changed? Why did you permit this thing? Why are we here?’
> ‘And he said, ‘Oh you know for years, we’ve been making wonderful things. We make your iPods. We make phones. We make them better than anybody else, but we don’t come up with any of these ideas. So we went on a tour of America talking to people at Microsoft, at Google, at Apple, and we asked them a lot of questions about themselves, just the people working there. And we discovered they all read science fiction… so we think maybe it’s a good thing.”
> The more things change, the more they remain the same. Lu Xun in 1903 had written that ‘science fiction could play a crucial role in the advancement of the Chinese nation’ and 104 years later, the purpose of the 2007 Chengdu SF/F Conference seems to have been no different for it was described as ‘an ambitious Chinese effort designed to inspire public creativity toward future scientific and technological development as well as promote national insight for scientific exploration’. A laudable step towards sparking the imagination and fostering innovation, but the state support of science fiction is also about advancing China’s soft power. As the writer Chen Quifan said in a speech (co-written by the organisers) at the eighth Chinese Nebula Awards in November 2017, saying that the purpose of Chinese science fiction was to, “grasp what General Secretary Xi has put forward, and advance the establishment of the power of the international spread of the culture of socialism with Chinese characteristics, in order to tell the China story.”
If you say...well STEM is important, but let's not forget art, pretty soon you'll say well we also need physical education as a healthy body is good too. Before long, you're back at the standard education system.
Getting back to the main subject at hand, libraries are awesome and will be even more important when Amazon forces the last brick and mortar bookstores out of existence. I've also started to see library outreach programs that teach classes on various subjects. Neil Gaiman has an essay on libraries in his book "a view from the cheap seats" that you can also see here:
https://www.theguardian.com/books/2013/oct/15/neil-gaiman-fu...
As to the comment I'm responding to, you can probably mostly ignore my STEM vs STEAM argument as it is only mildly important as far as how funds are distributed. What really matters is people like you who are working to make a difference in the world and thank you for that. To think that I might get to bring my children to a library in the future that acts as a knowledge hub is pretty amazing. I've also found the librarians at my local library to be very kind & helpful people.
