In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
It's a challenging read, but extremely thorough and enlightening. Tymoczko wrote a follow up that extends and reformulates his theories, but I haven't gotten through it yet.
- Fauvel et al., Music and Mathematics - From Pythagoras to Fractals, 2003, Oxford UP
- Loy, Musimatics Volume 1, 2006 MIT Press
- Tymoczko, A Geometry of Music, 2011, Oxford UP
- Walker, Mathematics and Music, 2013, CRC Press
- Toussaint, The Geometry of Musical Rhythm, 2013, CRC Press
- Chew, Mathematical and Computational Modeling of Tonality, 2014, Springer
- Hook, Exploring Musical Spaces, 2023, Oxford UP
From my point of view, all titles can be appreciated by non-musicians with mathematical background (though I'm an engineer, not a mathematician, and very much involved with non-classical music). But for your specific requirement, maybe Loy is suited, but personally I consider the later books more interesting, especially Tymoczko and Hook. Book recommendations are always very subjective.
Also note that the music theory commonly taught at high schools and universities is barely able to describe music, or only a small fraction of it. And only a fraction of this theory has a mathematical fundament. Most of it is just a heuristic projection of existing music, only useful for recognizing and classifying elements, and not for deriving new music. In recent years, however, new theories have emerged that allow for both a more formal and a more practical approach.
Following the trail, I was glad to find he wrote a whole book, The Geometry of Musical Rhythm, where the article forms the basis of a chapter. It's one of my favorite books I keep returning to re-read different parts.
I hadn't seen "Exploring Musical Spaces", looking forward to reading it.
Dmitri Tymoczko's book is wonderful too, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Rich with ideas and insights, I like how he tells the history and development of Western music theory.
Oh I just learned from the author's website that he has a new book released.
> I have just finished a second book, Tonality: An Owner's Manual, that proposes a new, hierarchical, and geometrical model of musical stucture.
> One interesting outgrowth is the musical programming language arca. This line of thinking has also led me to contemplate a third book about category theory and music.
https://dmitri.mycpanel.princeton.edu/index.html
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This video of your live performance setup as a one-man band. Amazing.
Indeed, they are two modes of the same pattern. If you look at that pattern in a circle, sometimes called a "necklace", the major and minor scales are rotations of each other.
For this way of looking at music, I recommend the book A Geometry of Music by Dmitri Tymoczko, who teaches composition and theory at Princeton.
> A Geometry of Music provides an accessible introduction to a new, geometrical approach to music theory. The book shows how to construct simple diagrams representing voice-leading relationships among familiar chords and scales. This gives readers the tools to translate between the musical and visual realms, revealing surprising structure in otherwise hard-to-understand pieces.
https://dmitri.mycpanel.princeton.edu/geometry-of-music.html
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As an intellectual companion, there's a book called The Geometry of Musical Rhythm.
https://en.wikipedia.org/wiki/The_Geometry_of_Musical_Rhythm
It's written by Godfried Toussaint, a computer scientist who discovered "Euclidean rhythms", a large set of rhythm patterns generated by a simple algorithm, many of which are common in world music traditions.
> In 2004 he discovered that the Euclidean algorithm for computing the greatest common divisor of two numbers implicitly generates almost all the most important traditional rhythms of the world.
The Euclidean algorithm generates traditional musical rhythm - http://cgm.cs.mcgill.ca/~godfried/publications/banff.pdf (PDF)
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice