The Windup Girl
What Happens when bio-terrorism becomes a tool for corporate profits? And what happens when said bio-terrorism forces humanity to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of "The Calorie Man"( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and "Yellow Card Man" (Hugo Award nominee, 2007) in order to address these questions.
Stats for nerds
43recommend
79mentions
68people
2010–2026years
62% recommend33% neutral5% critical
Mentions per year
What Hacker News says
- Haha very important disclaimer there, because reading your post sounds a lot like a person who works for big ag.
The other reason these laws exist is a long history by Big Ag (Monsanto, Cargill) doing the following, and has been done in the states for a while:
1) gmo/patented seeds in field on the left, community non-big ag seeds on the right field.
2) Cross-pollination occurs because we’re talking crops. Variations on this.
3) Monsanto sues Farmer John and Jane into the ground next season for stealing tech via the crops he’s growing.
Add in a little bit of fear (encryption backdoors for the children, laws to prevent dangerous counterfeit seeds!), and you have monopoly on farming run by big corps.
Also, US corps have a long history of POC’ing underhanded approaches in Africa.
What could be going on here!?
Edit - Man, rereading, “forced to plant [dangerous] saved seeds,” guess it’s Big Ag + tech startups now pushing this. Maybe… those farmers just want to control their “IP” (saved seeds) so they don’t have to buy them from a cartel of seed providers? This is such a well known problem in the states, is this marketing really working in Africa?
Final edit on the soapbox - other reason why this matters is genetic diversity. Crop blight is a thing. There is no way the natural “herd immunity” of a basket of seed variants in a community is outstripped in effectiveness by a growing monoculture of owned hybrid seeds that stay in front of the blights each season. Coffee rust already jumped the Atlantic from Africa to SA. Often feels like I’ve read this sci-fi novel already (there is a good one - Windup Girl).
- It's technically biopunk but I nonetheless feel that The Windup Girl by Paolo Bacigalupi shares a lot of the same aesthetic.
- I caught up with some science fiction this year.
The Murderbot diaries books by Martha Wells - 6/10. Mixed on these. They're fun to read. The setting is cool and the worldbuilding is shallow but effective (i.e., don't read it if you want game of thrones in space). Each novella takes an afternoon to read. I think "snarky violent droid" is overcooked these days and lost interest after book 5.
Light by M. John Harrison - 7/10 excellent prose; great multiple-storyline plot; the journey was better than the destination, but it kept me thinking
Far from the Light of Heaven by Tade Thompson - 7/10 Fun. If "near future Nigerian/British post-colonial frontier action with guns, robots, and psychic aliens" sounds cool to you, check it out. I liked his Rosewater Trilogy just as much.
Blindsight and Echopraxia by Peter Watts - tough to rate these. brilliant ideas, VERY challenging plots. I wish I didn't get so confused by the end of each book.
Project Hail Mary by Andy Weir - 6/10 - this and the Martian read like blog posts pasted together. The grand dilemma is spelled out on page one and never gets any deeper. Pro: the plot is in your face on every page and you will never be confused when reading; Con - there is zero internal character development. Read if you like stories driven by applied science, not comparative moral decision-making.
The City and the City by China Miéville - 9/10 - you will invariably see something like "Kafka meets [some affected crime novelist] to describe this book, and that ain't wrong. Kind of SF, kind of fantasy.
Railsea by China Miéville - 8/10 - great good vs evil YA SF about, well, imagine if trains were like boats. Good character writing, tight plot.
The Windup Girl by Paolo Bacigalupi - 8/10 - loved this. More "realist" near-future fabulism than Gibson, but if you love cyberpunk, read this.
The Shipbreaker Triology by Paolo Bacigalupi - 6/10 - near-future YA science fiction with a lot of blood and guns. Pretty good stories.
Roadside Picnic by the Strugatsky brothers - 9/10 - reread. I had to go back. This gets a near perfect score because of its style, setting, and plot.
The Sprawl Trilogy (Neuromancer, Count Zero, Mona Lisa Overdrive) by William Gibson - 9/10 - I had read Neuromancer 3 times but never the next two. I was pleasantly surprised to find the second and third novel easier to read* but just as enjoyable as Neuromancer.
The Bridge trilogy by William Gibson - 8/10 so far. I am in the second book. Can't believe I slept on these for the last couple decades.
non-SF:
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991 by Michael Azerrad - 9/10 - if you like punk/hardcore from the 80s, this is a great read.
* Every time I read Neuromancer, Gibson's literary footguns --holograms, false memories, hallucinations, and drug-addled unreality--make me feel crazy for not being able to follow the plot at times. I'm okay with believing that was the intended effect.
- I'd suggest The Windup Girl by Paolo Bacigalupi.
It's good stuff. I didn't expect to enjoy it as much as I did.
- I'm a big sci-fi reader as well, and I'm on a tear this year after neglecting the genre for about a decade. I find Stephenson's books to take a lot of headspace, and I don't always have that. But I do like giving books another shot at my time after a few years. I finally gave Bacigalupi's The Windup Girl another attempt and I'm enjoying it much more than I thought I would.
- The Overstory by Richard Powers - an intertwining of lives, as witnessed by the oldest beings on Earth, putting things into a rather different perspective.
The Windup Girl by Paolo Bacigalupi - compassion and redemption, set in a terrifyingly plausible near future where the oil and tech companies have been replaced by gene and agro conglomerates. Calories or joules, it’s just energy.
Weaveworld by Clive Barker - a dark, fantastical yarn of vivid (sometimes grotesque) imagery, spinning a new take on the oldest tale, that of good vs. evil.
