
In DEATH IN VENICE, an elderly, famous, and wealthy writer named Aschenbach goes on vacation. He becomes fascinated with Tadzio, a young teenager who is staying with his family at Aschenbach's hotel. As his obsession grows, and despite warnings that a plague is threatening Venice, Aschenbach remains at the hotel hoping to make a connection with the elusive Tadzio. Mann's novel is celebrated for its subtle characterization, and its exploration of the struggles of the artist--the longing for transcendence and ideal beauty vs. the need to sacrifice for one's art.
Fiction: Death in Venice (Der Tod in Venedig) by Thomas Mann[0]
Nonfiction: Pilgrim at Tinker Creek by Annie Dillard[1]
Illustrated: The Insect God by Edward Gorey
- Selected Stories - Anton Chekhov
- Death in Venice - Thomas Mann
- The Burnout Society - Byung-Chul Han
Currently I am reading an Austrian economics classic - Economics in one lesson by Henry Hazlitt
And even then... why can't they write a novel? Or lowering the bar, let's say a novella like Death in Venice, Candide, The Metamorphosis, Breakfast at Tiffany's...?
Every book's in the training corpus...
Is it just a matter of someone not having spent a hundred grand in tokens to do it?
As it happens I'm currently reading Thomas Man's English translation of Death in Venice from Gutenberg.
That doesn't seem to be included in the embargoed texts.
This very thought came to my mind too. The examples that I thought of first were Thomas Mann's Death in Venice where Aschenbach hesitates until it is too late to flee.
'Among these things the Englishman said the most important one. "[...] The ban can hardly be delayed for more than a few days." "Thank you," said Aschenbach and left the office.' [1]
Back then fleeing was at least considered an option but today? Where would you go?
Very striking is also Albert Camus' classification of people in the face of crisis in The Plague:
- the ignorant
- the revolting
- the ones in solidarity
- the loving ones
Lastly not to forget, the episode about the telephone sanitizers in Douglas Adams' book;-)
[1] My own translation (attempt)
The Fractalist: Memoir of a Scientific Maverick -Mandelbrot, Benoît B.
Ancient Sorceries and Other Weird Stories -Blackwood, AlgernonFlow: The Psychology of Optimal Experience -Csikszentmihalyi, Mihaly
Death in Venice -Mann, ThomasWhites -Rush, Norman
The Room -Selby Jr., HubertBook of Numbers -Cohen, Joshua
Maggot: Poems -Muldoon, PaulThe Peasant in Nineteenth-Century Russia -Vucinich, Wayne S.
The Mezzanine -Baker, NicholsonThe Museum of Unconditional Surrender -Ugrešić, Dubravka
What Is Life? with Mind and Matter and Autobiographical Sketches -Schrödinger, ErwinDictionary of the Khazars -Pavić, Milorad
Honored Guest -Williams, JoyMartyrs and Miracles -Trickey-Bapty, Carolyn
Noa Noa -Gauguin, PaulTheir Eyes Were Watching God -Hurston, Zora Neale
Ordeal by Hunger: The Story of the Donner Party -Stewart, George R.Moby-Dick; or, The Whale -Melville, Herman
Eileen -Moshfegh, OttessaHaute Surveillance -Göransson, Johannes
Mazes and Labyrinths: Their History and Development -Matthews, W.H.A Higher Form of Killing: The Secret History of Chemical and Biological Warfare -Harris, Robert
Our Lady of the Flowers -Genet, Jean*The House of the Dead -Dostoyevsky, Fyodor
Current: Black Swan, Nassim Taleb
